Doppler speaker L and R with a DAW

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walters

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How do i create Doppler Effects with the Left and Right channels?


What Effects Do i use in the speaker channels in stereo to create

a Doppler effect?


Automate the Pan controls to Swirl?
with the volume faders at the same time


What effects should i have in the left channel ?

What effects should i have in the Right channel?


To create a Doppler effect during playback on the DAW or

console, any recorder?


Use Time Scretching for the speed of the Doppler effect?


Im trying to have my mixdown to 2 track master have Doppler
effects but i don't want to use a processor patch setting to doppler
i want to make it by stratch using the channels and automation
how do i do this with my tascam 2488 or in protools
 
walters said:
How do i create Doppler Effects with the Left and Right channels?
Take first machine and make it not move on daw. Take second machine and put it into Pinto. Place microphone(Comparable to U87 but under $20) next to first machine. Turn on machine 1, hit record, start Pinto and drive to the heart of Omaha. That there's how you get Doppleganger to intercept light sabor.

walters said:
What Effects Do i use in the speaker channels in stereo to create a Doppler effect?
Doppleganger .vst file not make whoopie with protools therefore no baby doppleganger. You'll need a .vst to .tdm doppler effect baby maker.

walters said:
Automate the Pan controls to Swirl?
with the volume faders at the same time
If wally wanna make pan swirls, knock wally's self out.

walters said:
What effects should i have in the left channel ?
Duh, DAW left side effect(for under $20).



.
I'll try to help more out later, I'm in middle of writing essay essay.
 
lol Willis im starting to think you live for poor walters posts ;)

Admittedly he does seem to dredge the most obscure questions up... :D
 
walters said:
Automate the Pan controls to Swirl?
with the volume faders at the same time

LOL. Good one.

Two ways:

When recording, always use two mics. Hang them from the ceiling on strings. When you hit record, start them swinging in opposite directions so they get closer and farther from your source.

Or, do the same with your monitors when you are listening. Rerecord the sound of your Dopplering monitors.

If they swing far enough and fast enough, you will get the sonic version of what astronomers call "blue shift". This can give your mix a more "bluesy" feel.
 
walters said:
Automate the Pan controls to Swirl?

I suppose this could be acheived by automating the surround "puck" in a circular fashion around the pan pot in certain situations with mixing 5.1.
 
Easiest way to do this is to place both speakers on a turntable, facing out. Start the turntable. You'll have to figure out some way to keep the wires from twisting, but if Mr. Leslie did it you can too.
 
Walters. This is the "Swirly effect." You put the speakers in the toilet, then flush. They swirl around, and make great noises. Very cool.
Ed
 
Eddie Kramer did this stuff on alot of Jimi hendrix and zepplin songs


Used i think Channel Switches near the Pan Pots to which the

channels from 180 degrees hit the channel switch and its on the opposite

end but reversed tapered. So you get 360 degrees with channel switches

near the pan pots
 
That's very nice walters. 360 is a full circle. Come back whence forth where you start. Very good. More tomorrow. i GO SLEEPY NOW.
 
walters said:
Eddie Kramer did this stuff on alot of Jimi hendrix and zepplin songs
Used i think Channel Switches near the Pan Pots to which the
channels from 180 degrees hit the channel switch and its on the opposite
end but reversed tapered. So you get 360 degrees with channel switches
near the pan pots

There's a question in there somewhere, and a funny answer waiting for me to post it. I'm drawing a blank on the question which is making the funny answer even harder to find.

Here's a riddle for ya-
How many walters does it take to make a channel switch go 360 degrees near the channel witch?

Solution-
I'll tell ya tomorrow. walters already knows, don'tcha wally wally?
 
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