Lots of good observations on this thread. Here is another thing along the same lines, if you all would be patient and indulge me.
Another tune I'm writing began as a bass/drums/guitar piece with no words or melody. I played it for my wife and she loved it. She said it was beautiful and that I should not
fuck it up when I write the words and sing it. So, the pressure is on.
I didn't know what to write about. However, my wife suggested that the tune has so much emotion that I should write about our dog, which we lost last year. This was an emotionally devastating loss for both of us. The dog was our baby, and we still miss him terribly.
So, that is what I am doing. I've taken this story of deep loss of a pet and, as I work on the music, I find myself breaking down in tears. It is a very strong emotion.
But, to the point: I want to write in plain language this feeling of loss, but I must be abstract. I can't write a narrative about taking a dog to the vet to be put to sleep, because that would be absurd and stiff. My goal is to write it in such a way that the listening can identify with the feeling itself, from the music first, and then from the abstract hints in the words, so they can empathize with their own loss of...a pet, a friend, a lover... If I can do this, I'll have success. But it is very hard.
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P.S.: Ironically, I must leave now to go to a friend's funeral. Later....