Hello Darryl, forgive this ole fart for his thickheadedness. I don't doubt science one iota. If anything, it totally amazes me. What I do doubt is people.

But let me set this straight. IF, the science of acoustics is not an EXACT science, pray tell what the hell is it? Psedo science? Half baked science? Wishfull thinking science? I mean, comeon guys, why would one acoustician say one thing, and another applys a whole different rational. I don't get it, and if I can't trust the the science AND practicioners as a whole, then what the hell good is it? WHO DO I TRUST?
Cause tell you the truth, I'm really starting to wonder if this whole damn acoustics thing is just a bunch of BS. Take a look around. Contradictions abound when you look at actual studios. For instance. The whole shebang of Low frequency specs. That is now becoming a such joke in my book. Especially since I read Eric's statement that there isn't a testing facility in the whole damn world that can scientifically test anything below 100 hz. Well shit, a damn bass guitar puts out much lower than that. Hell, a guitar A1 is 220 hz. So a bass open A is I belive one octave below that so theres 110hz right there. And you STILL can go down to an open E. Now you tell me. If you resonate a room at that frequency, which I've done, how the hell do you know you can actually prove, you can predict anything to absorb that low?
I mean, I'm no acoustician by any stretch of the imagination, but were talking frequencys that are IN THE MUSICAL RANGE and no one can even tell ya scientifically if your room treatment is doing anything at all in the low frequency range. OR, if indeed you need it? Man, this is unbelievable stuff! Like bass traps. WHAT THE FUCK?
IF you can't prove they even absorb in the range of a simple bass line below 100z, then why the hell call them "BASS TRAPS?" That is total bullshit. How bout Not exactly bass traps? Ha!
Well, I'm going to give my brain a rest. I'm missin some stuff here probably, but the FACT remains. CONTRADICTION among acoustical designers is pissin me off.

Either thier design is based on science or their word isn't worth the paper its written on. And neither are their designs In other words. HOW DO YOU PROVE IT WORKS? Someones word? No offence intended, but geeeeeeeezus. Lets put it out in the open. If this is indeed the case, who is telling the truth, and who ain't? And do you actually know the difference. AND what IS the difference. Its like someone tellin ya that you need a 4 ton air conditioner. Your not an HVAC engineer. How the hell do you know you even need it. His word? I've seen this kind of shit MANY times. "Mr Fitzpatrick, your muffler bearings are shot. Ya need a new pair. Only $500 on sale with free installation. Sign here and we'll fix ya right up."Hehehehe! S U C K E R!
Take slot resonators. Even a well known acoustition who will remain nameless, stated(I believe) he don't really know if slot resonators actually work. Shit. So what are we dealing with here. Intuition. Hell, I got that. Speculation. Got that too. Half baked ideas. Got plenty of them.

Experimentation? Guess work? Man, my head is full of those things. And I bet I can prove them as well as NON EXACT SCIENCE does then.
Bottom line is exactly what I've been sayin for 3 years here. What the hell are they trying to accomplish? And THEN, how the hell do you know it actually works. No one seems to have a difinitive answer. And if there is one, then sure as hell theres another designer down the street that has a whole different opinion. And even THEN, next week someone will say, "OH< we don't use that form of proof anymore. It doesn't work."
I don't want OPINION anymore. I want some kind of damn proof that a designers word is backed by something other than his INTERPRETATION of science . Cause I don't see anything that confirms that anyone really has THE PROOF of it lately. Shit, I should have NEVER spent the money on Alton Everests book. Cause now, everyone says LEDE is crap and doesn't work. Or diffusion in a small room is bullshit. And on and on and on. FUCK. If anything, I'm also beginning to believe that its all marketing hype. Or this weeks trendy design. Maybe I'll come to the conclusion its just one big mystery and acoustical designers really don't have a clue. Half a clue maybe. As you said, its not an exact science. And if so, then I'm a non exact acoustical designer myself. (you know I'm being sarcastic, right?)
Heres another example. Back in the nintys, they started using a machine for looking at 3d plots of room response in lots of different ways. I just read last week where some(I won't name names) acoustical designer actaually said that stuff is BULLSHIT

Now its some new fangled device that ONLY HE uses. And his word is the truth. OH Brother.
Now, if someone would care to slap me upside the head with some kind of reasoning that will bring me to my senses, cause as it stands at the moment, this NON EXACT SCIENCE is exasperating me. Ha! All I know is what I see. And what I see is contradiction and it doesn't make sense. If anything, its starting to look as though, someone out there is a high paid bullshit artist.
Well, bring in the flamethrowers guys. I need a hot shower. But just remember, I'm just responding to something that is not EXACT science. So how can I be wrong.
fitZ
