R
RavinRyan
New member
Hi. I know this may seem obvious (as in "EQ" ya dummy) but I was hoping to get opinions about how others deal with certain "problem" vocal tones. In this case, it is a female singer/songwriter with a really fabulous singing voice and ability. But it's almost like there is no mic that can capture her voice without it sounding (searching for the best way to describe it) "thin," "biting," "piercing," "reedy."
I have have tried most of the common treatments, i.e. different mics (mainly LDCs, including Neumann TLM-103 and similar), different pre-amps (my main one is a Peavey VMP-2 tube), EQ after tracking, EQ during tracking, different rooms (dead AND Live), all with varying degrees of success, but never really feeling like the recording did her justice.
Interestingly, I've recorded several other female singer-songwriters who sound FANTASTIC through the same mics. I know the singer-mic pairing is different for everyone, but DANG! Short of Hunting down an AKG C-12 to try out on her, we've tried just about everything.
Any suggestions from the group?
Thanks!
Ryan
I have have tried most of the common treatments, i.e. different mics (mainly LDCs, including Neumann TLM-103 and similar), different pre-amps (my main one is a Peavey VMP-2 tube), EQ after tracking, EQ during tracking, different rooms (dead AND Live), all with varying degrees of success, but never really feeling like the recording did her justice.
Interestingly, I've recorded several other female singer-songwriters who sound FANTASTIC through the same mics. I know the singer-mic pairing is different for everyone, but DANG! Short of Hunting down an AKG C-12 to try out on her, we've tried just about everything.
Any suggestions from the group?
Thanks!
Ryan