
sonusman
Banned
I have been seeing all this stuff about uploading submitted songs to ftp sites and what not.
Here is the reality.
If you are uploading a .wav file, it would be safe to assume that at 16 bit, 44.1KHz sampling rate that the data will be 10MB per minute of stereo music. Now, let's say that the shortest of the songs are 3 minutes long. That is a 30MB file!!! Kind of big and will take a long time to upload.
Now, I don't know about you guys, but I always check my data, or for the most part I do when I care about it, after it has been transferred. Like when I am backing up my .wav files on this current mix I am doing. BEFORE I ERASE THE FILE OFF OF THE HARD DRIVE, I FIRST LOAD THE FILE FROM THE BACKUP DISK AND PLAY IT TO MAKE SURE THAT THE BACKUP DISK IS NOT MESSED UP!!! This is obvious the prudent thing to do because if the backup disk is messed up, well, if I still have the original file on the hard drive, I can just burn another disk. Then, when I am satisfied that the data can be transferred back to the hard drive with out any clitch's, I can delete it from the hard drive and move on knowing that I have a reliable back up file on disk.
So, you have spent the whole night uploading you 30+MB file to a ftp site. It took all night to do. HOW DO YOU KNOW THAT IT TRANSFERRED WELL?!?!?!?!? Well, you can check it out by downloading it back to your hard drive. But then, you don't really know if the download was good because the errors that may be there could have happened while downloading. You would never know unless you downloaded it again. But then, you still wouldn't know for sure if the uploaded file was correct in the case that the downloaded file is corrupt. You have just spent 3 whole nights uploading and downloading, and you still don't know if the damn file is good or not unless when you downloaded it all was well.
BOY, WHAT A HASSLE!!!
Now, let's continue this to the logical conclusion.
Let's say that it is a good upload (but you can never be sure untill you have a successfull download of it yourself right?). What is to say that the person downloading it for eventual burning gets errors while downloading. He wouldn't know if the file is corrupt upon upload, or from his download. The only way to check would be to download it again. But, if there are errors, he still wouldn't know for sure because he could still be having download problems. What a hassle.
Next, the artist submitting doesn't really know if his submission was uploaded or downloaded with no errors. Nobody knows untill the damn thing gets to me and I discover one way or another that it is good or bad. In the case of it being bad, the artist would need to submit another copy of the file for mastering. What a hassle.
So why even bother with the upload/download thing at all?
Why not have people submit on CD-R or Zip disks? That way, the artist could assure that the file at least left him in good shape. It also alleviates all the time spent with transfers online. Even with a DSL connection, we are talking hours and hours of downloading for the few that will be downloading. Also, quite a bit of time for the person to upload, even with DSL.
Also, with all the submissions on one or two disks that came from the person who did all the downloading and burning, they would be on only one or two disks total. If that disk was to get messed up at all on my end, most of it would be gone.
But with seperate submissions on CD-R, the chances of many songs getting messed up is signigicantly lower.
It would seem that most everyone who is submitting has a CD burner on their computer, or a stand alone unit. How many cases is this not true?
At some point, they had to have gotten it on computer for upload right? So, even in the event that they don't have a CD burner a stand alone unit could be rented, or the person could just get with the year 2000 and buy a damn CD burner like most of the rest of us.....
Really though.
So, these are just my thoughts.
I know that I would never trust my submission to go though a phone line two different times and expect that it is trouble free. Also, who knows what will happen to it when it gets burned by whoever is burning it to CD-R. No offence at all is intended concerning the skills of the eventual people who will be doing this. But, they can only assure that the disk they burned is good by loading all those songs back on their hard drive and listening to them all to verify that the burn was good.
Oh, I forgot to mention that if anyone was wanting to submit a 24 bit, 48 KHz file, that goes at about 18MB per minute of stereo music. Almost double the 16/44 file. Wow!!! Now a 3 minute tune is like 74MB!!! A big job even for a DSL connection.
I would prefer submission's to be at the highest possible sample rate and longest bit depth. This way, when song volumes have to be changed to matched other tunes (I am guessing that all still want me to "normalize" the CD, although I would never use such a crude process on music) it can be done in a 24 bit file, and then dithered down to 16 for the master. If any of you think that mastering in 16 bit is fine, well, you are wrong. There are way too many things I could go into that support the theory that you try to keep the highest possible sample rate and bit depth untill right before you burn the master.
So, just some stuff to chew on here.
My thought is why not just submit it directly.
Ed
Here is the reality.
If you are uploading a .wav file, it would be safe to assume that at 16 bit, 44.1KHz sampling rate that the data will be 10MB per minute of stereo music. Now, let's say that the shortest of the songs are 3 minutes long. That is a 30MB file!!! Kind of big and will take a long time to upload.
Now, I don't know about you guys, but I always check my data, or for the most part I do when I care about it, after it has been transferred. Like when I am backing up my .wav files on this current mix I am doing. BEFORE I ERASE THE FILE OFF OF THE HARD DRIVE, I FIRST LOAD THE FILE FROM THE BACKUP DISK AND PLAY IT TO MAKE SURE THAT THE BACKUP DISK IS NOT MESSED UP!!! This is obvious the prudent thing to do because if the backup disk is messed up, well, if I still have the original file on the hard drive, I can just burn another disk. Then, when I am satisfied that the data can be transferred back to the hard drive with out any clitch's, I can delete it from the hard drive and move on knowing that I have a reliable back up file on disk.
So, you have spent the whole night uploading you 30+MB file to a ftp site. It took all night to do. HOW DO YOU KNOW THAT IT TRANSFERRED WELL?!?!?!?!? Well, you can check it out by downloading it back to your hard drive. But then, you don't really know if the download was good because the errors that may be there could have happened while downloading. You would never know unless you downloaded it again. But then, you still wouldn't know for sure if the uploaded file was correct in the case that the downloaded file is corrupt. You have just spent 3 whole nights uploading and downloading, and you still don't know if the damn file is good or not unless when you downloaded it all was well.
BOY, WHAT A HASSLE!!!
Now, let's continue this to the logical conclusion.
Let's say that it is a good upload (but you can never be sure untill you have a successfull download of it yourself right?). What is to say that the person downloading it for eventual burning gets errors while downloading. He wouldn't know if the file is corrupt upon upload, or from his download. The only way to check would be to download it again. But, if there are errors, he still wouldn't know for sure because he could still be having download problems. What a hassle.
Next, the artist submitting doesn't really know if his submission was uploaded or downloaded with no errors. Nobody knows untill the damn thing gets to me and I discover one way or another that it is good or bad. In the case of it being bad, the artist would need to submit another copy of the file for mastering. What a hassle.
So why even bother with the upload/download thing at all?
Why not have people submit on CD-R or Zip disks? That way, the artist could assure that the file at least left him in good shape. It also alleviates all the time spent with transfers online. Even with a DSL connection, we are talking hours and hours of downloading for the few that will be downloading. Also, quite a bit of time for the person to upload, even with DSL.
Also, with all the submissions on one or two disks that came from the person who did all the downloading and burning, they would be on only one or two disks total. If that disk was to get messed up at all on my end, most of it would be gone.
But with seperate submissions on CD-R, the chances of many songs getting messed up is signigicantly lower.
It would seem that most everyone who is submitting has a CD burner on their computer, or a stand alone unit. How many cases is this not true?
At some point, they had to have gotten it on computer for upload right? So, even in the event that they don't have a CD burner a stand alone unit could be rented, or the person could just get with the year 2000 and buy a damn CD burner like most of the rest of us.....

So, these are just my thoughts.
I know that I would never trust my submission to go though a phone line two different times and expect that it is trouble free. Also, who knows what will happen to it when it gets burned by whoever is burning it to CD-R. No offence at all is intended concerning the skills of the eventual people who will be doing this. But, they can only assure that the disk they burned is good by loading all those songs back on their hard drive and listening to them all to verify that the burn was good.
Oh, I forgot to mention that if anyone was wanting to submit a 24 bit, 48 KHz file, that goes at about 18MB per minute of stereo music. Almost double the 16/44 file. Wow!!! Now a 3 minute tune is like 74MB!!! A big job even for a DSL connection.
I would prefer submission's to be at the highest possible sample rate and longest bit depth. This way, when song volumes have to be changed to matched other tunes (I am guessing that all still want me to "normalize" the CD, although I would never use such a crude process on music) it can be done in a 24 bit file, and then dithered down to 16 for the master. If any of you think that mastering in 16 bit is fine, well, you are wrong. There are way too many things I could go into that support the theory that you try to keep the highest possible sample rate and bit depth untill right before you burn the master.
So, just some stuff to chew on here.
My thought is why not just submit it directly.
Ed