I've always tried to maintain as much digital in my signal chain as possible but it's not always the easiest thing to do.
For example - I record my vocals on my Akai DPS16 hard disk recorder in 24-bit. Then I run it to an outboard analog compresser (RNC) (D->A) though a digital effects unit (A->D) which goes digitally back into my hard disk recorder.
So my first question is - how bad is this? I don't really think I can hear the difference but then others may and I may not know it. Am I degrading my 'chain' horribly - am I an idiot to daring to leave the digital realm? lol Supposedly the A/D converters on the Akai DPS16 and the TC Electronics M-OneXL are 24-bit and decent but I don't know...
Next question on A/D D/A conversion. Because of the technology of the Akai DPS16 (which I love!) there is no way for me to efficiently bring my digital data to the computer for finalizaing/some mixing/mastering/ etc... I always end up writing it to a disk (using SCSI because that's all there is) which takes a LONG time (especially for 30-minute mixed podcasts which I'm starting to do) and wastes a perfectly good CD disk.
I'm thinking about buying a portable digital device like the Edirol R-1 as a 'transfer' unit to my computer. Unfortunatley the Edirol has no digital input so again I would have to record the mix from the Akai in real time to the Edirol using the Edirol's A/D converter. From there I'd be in 24-bit digital the rest of the way. Question is - am I being dumb for considering this? Or is it a reasonable idea to save me some time. How do you judge the quality of a a/d d/a converter? Is there a better digital storage device that can accept digital in/outs?
As an extensionor worst case, if you took a piece of digital audio through say 20 d/a->a/d conversions - how bad would it be?
Thanks all!
Jeff
For example - I record my vocals on my Akai DPS16 hard disk recorder in 24-bit. Then I run it to an outboard analog compresser (RNC) (D->A) though a digital effects unit (A->D) which goes digitally back into my hard disk recorder.
So my first question is - how bad is this? I don't really think I can hear the difference but then others may and I may not know it. Am I degrading my 'chain' horribly - am I an idiot to daring to leave the digital realm? lol Supposedly the A/D converters on the Akai DPS16 and the TC Electronics M-OneXL are 24-bit and decent but I don't know...
Next question on A/D D/A conversion. Because of the technology of the Akai DPS16 (which I love!) there is no way for me to efficiently bring my digital data to the computer for finalizaing/some mixing/mastering/ etc... I always end up writing it to a disk (using SCSI because that's all there is) which takes a LONG time (especially for 30-minute mixed podcasts which I'm starting to do) and wastes a perfectly good CD disk.
I'm thinking about buying a portable digital device like the Edirol R-1 as a 'transfer' unit to my computer. Unfortunatley the Edirol has no digital input so again I would have to record the mix from the Akai in real time to the Edirol using the Edirol's A/D converter. From there I'd be in 24-bit digital the rest of the way. Question is - am I being dumb for considering this? Or is it a reasonable idea to save me some time. How do you judge the quality of a a/d d/a converter? Is there a better digital storage device that can accept digital in/outs?
As an extensionor worst case, if you took a piece of digital audio through say 20 d/a->a/d conversions - how bad would it be?
Thanks all!
Jeff