It matters where you put the fade too, not just the length. Drums for example, you are going to want to put the cross fade as close to the right of just before the new hit as possible; however, if the beat from the previous take (the one you are cutting out of) falls before the new beat, you are going to want to slide your cross fade back left to just before the old beat pokes through. Leaving even a millisecond of the previous hit, even in the middle of the fade itself, will result in pops/clicks/weirdness. Conversely, I've had experience with synth sounds where shorter fades resulted in bad edits, and I actually had to make the fades much longer and then bring the fade out and fade in tails all the way up from linear, making more of a 500+ millisecond blend as opposed to a true 10-50 ms cross fade. Sometimes depends.