Compression & Prozac?

[rushfan33]

Are we too dependent on Compression? Is compression to music what prozac is to depression? Do we automatically just assume that we need to compress any signal that goes through the desk? Are there any recording Gurus here that use compression as a last resort?
Of course I'm assuming that the musician(s) is of a high caliber in general and that he or she plays smooth and steady. Unless you're using a box that oozes quality, wouldn't compressing degrade the signal more that actually help it? These are the dilemnas that occupy my mind at the moment.... please set my mind at ease.
Thanks,
RF

 

[PowerCouple]

well..

Just from ignorance, I spent a whole year recording without even knowing that compressors existed
It was harder work, but probably more "artistic"...

Peace...

PC

 

[M.Brane]

The key to compression is the same as any other tool: use it when necessary, and only as much as you need.

I'm sure you've seen the results when some fool buys a new paint gun.

Then again, everything is overkill until you get used to it.

 

[remo_marbleblue]

I love compression, but it's tough to get right, at least for me. It depends on the sound you want of course. I love a well tuned, compressed snare sound. Since I'm not perfect it keeps my snare hits from breaking my ear drums.

 

[theletterq]

Occasionally compress vocals. Sometimes compress bass. Never compress drums or guitars of any kind.

 

[Fletcher]

Compression is indeed like a lot of drugs [many of them (drugs and compressors) are indeed some of my favorite things]... if you use them wisely, it makes for an interesting/enjoyable ride... if you're using cheap ones... they can make life more difficult... if you overuse them you can really fuck yourself... and when you get it just right... it's just a little slice of heaven on earth.