W
welldonep
New member
Hello all ... I've always been a little confused about the best way to control your effects levels (l'll use reverb as an example) when using a Bus in Cool Edit Pro.
I know how to assign a group of tracks to a 'bus', but the way I see it, there are 3 areas to adjust the reverb/effect level itself. 1) in the effect parameters ... reverb level; 2) the Bus mixer for the effect (dry/wet), and then again in the channel mixer (wet/dry).
I find this a bit confusing, and was wondering which is the best way to work with these settings. It's seems like at least one more setting than needed, as in my mind, once you have the reverb/effect selected, you should only have to make changes to the parameters of the effect as you see fit, and then choose a send and return level for each channel/track assigned to that Bus. By having the Bus mixer's wet/dry levels and the channel's wet/dry levels, I am unsure I where I should really be adjusting the wet to dry to get the best sound applied to the tracks.
Can anyone better explain how the Bus mixer works in conjunction with the channel's wet/dry send/return? And/or give me an example of how you might set a reverb yourself for a vocal track and/or, in this case, a group of vocal tracks.
I tend to get decent results, but I mainly just mess with the settings until I find a place where I can tell the reverb is working, but that it's not so obvious. I just wish I had a better understanding of how the Buses are working.
I would greatly appreciate any input that anyone has to offer on this, as this seems a little convoluted to me, but I think I'm just not grasping CEP's way of handling effects through a Bus.
Thanks much.
Peter
I know how to assign a group of tracks to a 'bus', but the way I see it, there are 3 areas to adjust the reverb/effect level itself. 1) in the effect parameters ... reverb level; 2) the Bus mixer for the effect (dry/wet), and then again in the channel mixer (wet/dry).
I find this a bit confusing, and was wondering which is the best way to work with these settings. It's seems like at least one more setting than needed, as in my mind, once you have the reverb/effect selected, you should only have to make changes to the parameters of the effect as you see fit, and then choose a send and return level for each channel/track assigned to that Bus. By having the Bus mixer's wet/dry levels and the channel's wet/dry levels, I am unsure I where I should really be adjusting the wet to dry to get the best sound applied to the tracks.
Can anyone better explain how the Bus mixer works in conjunction with the channel's wet/dry send/return? And/or give me an example of how you might set a reverb yourself for a vocal track and/or, in this case, a group of vocal tracks.
I tend to get decent results, but I mainly just mess with the settings until I find a place where I can tell the reverb is working, but that it's not so obvious. I just wish I had a better understanding of how the Buses are working.
I would greatly appreciate any input that anyone has to offer on this, as this seems a little convoluted to me, but I think I'm just not grasping CEP's way of handling effects through a Bus.
Thanks much.
Peter