
heylow
New member
John Vanderslice gave me this advice...it can be found on his latest record on the first and last song.
A mono mic:
Take your mic (preferrably something like a ribbon mic, if not, no matter) and stick it about 4 feet infront of the drums, just below chest hight....kinda right below where the rib cage and stomach meet. Press record. Listen.
You should be hearing a nice balance right about there of kick and snare. If not, move it up and down a bit...not much...just look for balance. Keep in mind this will not sound like 8 drums close miced but the results are awesome on his record and I really liked it when I tried it. I even put a snare and kick mic up and blended this "mono" track in instead of overheads....its cool..I cant wait to try it on a serious track.
You should be able to play with frequencies if needed.....i.e boost a bit of 80 hertz and you get a bit more kick drum if needed.
heylow
A mono mic:
Take your mic (preferrably something like a ribbon mic, if not, no matter) and stick it about 4 feet infront of the drums, just below chest hight....kinda right below where the rib cage and stomach meet. Press record. Listen.
You should be hearing a nice balance right about there of kick and snare. If not, move it up and down a bit...not much...just look for balance. Keep in mind this will not sound like 8 drums close miced but the results are awesome on his record and I really liked it when I tried it. I even put a snare and kick mic up and blended this "mono" track in instead of overheads....its cool..I cant wait to try it on a serious track.
You should be able to play with frequencies if needed.....i.e boost a bit of 80 hertz and you get a bit more kick drum if needed.
heylow