
Reggaesoldier
New member
I wanna know too!!!!alanhyatt said:I guess I can't answer that now because I would be Spamming!!!!
I wanna know too!!!!alanhyatt said:I guess I can't answer that now because I would be Spamming!!!!
visa said:which of the two sets do you prefer for recording an acoustic guitar with two SD Condensers?
two MXL603s or two C4s from Studio Projects?
Well, the JM27 and MXL603S are NOT the same (see http://www.homerecording.com/bbs/showthread.php?p=1115119#post1115119) so the above JM27/MXL603S replacement/statement is incorrect... and therefore the JM27spam can not be used instead of the MXL603S for the comparing of a "MXL603S" with the C4.alanhyatt said:I guess I can't answer that now because I would be Spamming!!!!
DJL said:Well, the JM27 and MXL603S are NOT the same (see http://www.homerecording.com/bbs/showthread.php?p=1115119#post1115119) so the above JM27/MXL603S replacement/statement is incorrect... and therefore the JM27spam can not be used instead of the MXL603S for the comparing of a "MXL603S" with the C4.
alanhyatt said:the C4 were very open and detailed on everything. The C4's were very close to the Schoeps
FWIW....
Harvey Gerst said:Ty Ford loaned me his Schoeps CMC6/MK41 combo, and it's one of the best acoustic guitar mics I've ever heard. I loaned him my T.H.E. small condenser mic and he agreed that it was very close to the Schoeps sound.
Save the long winded bullshit song and dance for someone else... the JM27 and MXL603 are NOT the same mic and you know it, but you can't resist plugging your JM27spam.alanhyatt said:Prepare for battle folks...![]()
If you wish to start with you're old antics again, let me put it this way. The JM27 and MXL "are" the same. Now, what do I mean by that...The 603, ADK SC1, JM27, TFPro TF27, SE2, and the Cascade mic are all of the same class, kind and type of microphone. All of them have come out of the Fielo factory at one time or another. Marshall and SE both swayed some Fielo engineers and assemblers away from Feilo. Then, they have changed the look a bit, but they are all the same type...small diaphragm mics, and all about the same price range, and are only good for certian applications.
When I make a general comment like I did, that is what it is. It is not Spam, and I resent your JM27spam comment. If you want to know facts before you spew...ASK! If you want to start it up again, keep up the snide remarks.
Your comment that the JM27 and MXL 603 can not be used to compare against each other is wrong. You yourself have compared the C1 and V67 for years, and they are different designs. In fact, you have been very vocal about that comparison, so you can say the same for the 603/JM27. So you know, the C1 is transistorized output, the V67 is transformer...The exact opposite of the JM27 and 603 design.
All those mics we used were of a similar price, and were used for the same type of application. Some color, some don't, but they are of the same type. In addition, I said nothing bad about any of the mics. I was complementary about all the mics when stating our opinion.
Brent Casey said:Well, the capsules are quite similar, the circuits are not. Both use the 2SK170BL JFET, but in entirely different manners. The 603 splits the signal at the JFET into two smaller out of phase but equal signals which drive a couple of PNP emitter follower transistors on the output.
The JM27 uses the 2SK170 configured as a common source amplifier which is capacitively coupled to a step down transformer on the output. The capsule is phantom polarized at around +46v.
The board layout is quite nice. A well-manicured playground for any of you DIY'ers out there.
I have recorded with them. If you are interested in my impressions, drop me a pm.
Brent Casey
PMI Audio Group
877-563-6335
DJL said:How do you feel about someone misleading others into believing the JM27 and MXL603S are the "same" mic?
Read Alan's post again...Marik said:DJL,
I am not sure if you read it carefully, but Allan clearly wrote in a few messages "the same kind and type". It is not the "same"--the way you conviniently turn for your purposes. I hope you understand the difference between those two. At least I did not notice anything misleading. Also, if you read it carefully enough, Allan has mentioned ADK, Cascade, and some other brands, as well. Does it mean that he spams for his competitors???
And the last, as far as I know, nobody appointed you to be a moderator on this forum, so I would like to know, who gave you rights to decide here what is spam, and what is not.
And BTW, your statement about C4 and B5 is really misleading--why don't you hate it?
In the above post Alan is misleading people into believing the JM27 and MXL603S are the "same" mic... not kind of the same. It wasn't untill after I called Alan on the above statement that he said kind of the same.alanhyatt said:The 603's are very good mics. We did an in house shootout a couple of weeks ago with C4's, Schoeps, Cascade, and the new Joemeek JM27 The JM27 is the same mic as the 603, ADK SC1, and the Cascade mic.
The 603, or in this case the Joemeek JM27 we used was darker sounding, yet had a full rich and warm sound to it. It added a color to the mids that was quite nice for acoustic guitar, but only acceptable at best on overheads, where the C4 were very open and detailed on everything. The C4's were very close to the Schoeps, but we were very surprised how well the JM27 did, so that means the 603's will also do very well.
Now this is us at our facility, so don't go taking our word as some of you may feel we were biased in the test, but the end result is the 603/Joemeek JM27 are pretty darn good for the money.
FWIW....
To bad Alan never posted what the sound differances were between the JM27 and MXL603S... I'm sure there are some people who still would like to know.Richard Monroe said:Yo DJL- I've read all the posts, and this is one where I think you are basically right. Yeah, the statement was inaccurate and potentially misleading. Just don't beat the dead horse, pushing it will not support your position. I understand your position, as I think evryone else does. Give everyone enough credit to come to their own conclusions about what motivations led to the misleading statement. Badgering Alan about it and attempting to extract some admission of guilt (which will probably *not* be forthcoming) weakens your position and does not serve the interests of the board in general. Just let it go, and let others come to their own conclusions. You've made your point.-Richie
sdelsolray said:About two months ago I compared a pair of C4s (card caps) with a pair of Schoeps CMC6/MK4 on fingerstyle acoustic guitar. They weren't very close at all. Using the same preamp (Pendulum MDP-1A) revealed stark differences. While pleasing overall, the C4s were scooped, artificial in the upper mids and somewhat strident in the highs. The detail was lacking, particularly in the bass. While they EQed well, I couldn't clean them up well, resulting in a rather inaccurate recording of the guitar. On the other hand, the Schoeps were, well they sounded like Schoeps - accurate, fully detailed, sensual and very musical.
I tried the mics in another pre, a John Hardy M-2. Same deal.