building a new studio

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quote mixmkr

in a small 'sleepy' town, about 100 miles south of me, there is an area of about 6 city blocks, where just about EVERY house has been converted into a studio. You walk into their living rooms, and many of them have been gorgeously transformed into "beautiful" tracking rooms with control rooms viewing in thru the bedroom walls that have long gone and have been replaced with large windows. They even call it Music Row and have gone as far as constructing new buildings on the corners of the blocks, naming the buildings after TV sets...like Sony, etc. On the outskirts of such said city, there are literally hundreds of home studios that have that "magic" look once you walk thru their front doors. ....and they even have basements that aren't converted...they did it all UPSTAIRS!!

Some of the nicest ones ARE in the remote areas, surrounding the city, located on nice farms, with enough parking for a couple tour busses or three. They might even boast a couple of Studers or even a SSL.... and all in your living room! Shit, one of them even calls itself the "Castle"! One is also in the [Sound] Kitchen...and they have about 4 studios in that complex!!
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Only in America !

It goes without saying that people are passionate about their studios and rightly so when you put so much into it. I guess its like customising a car only loads more satisfying.

Sorry if I misquoted mixmkr, I feel like a tabloid journalist now !
I should have included reference to the other parts of his post.

I got another question, why do peeps build studios in the first place and who are the people that do it. For myself, my son is musical and I have faith in his ability that I'm building it to develop him but at the same time I'm developing myself too.
 
0hz said:
...why do peeps build studios in the first place and who are the people that do it.
Why build a studio? Good question. I'm building mine because I love to play music, I enjoy the recording process, I have a big ol' grand piano that I want set up in a room that will do it justice. I also want to record other bands and produce a quality product for them. Where I live, there are numerous "Some Guy in a Room" recording studios, and if I'm going to do it, I want it to be in a proper facility.

Who am I? Just some (other) guy that wants to do it right.

Construction photos of mine here:
http://johnlsayers.com/Studio/Mainpage/MP-Carriage.htm
 
Thanks for the post Mike, I am envious, ya know I would kill for that kinda space (just kidding). Fair play thats a great reason to build and its looks like the end result will do that grand piano proud. I wanna hear your first recordings ok.


Cheers

0hz
 
Re: Re: Re: Ah... silly me - should've figured...!

Ethan Winer said:
Mixmkr,

> It baffles me how sometimes people think they need the worlds best environment to record in to get good final results. Especially with close mic'ing, so much of the room[sound] is negated <

Recording and mixing are very different, and acoustic treatment can help both quite a bit. You are correct that close miking can reduce the contribution of room ambience. But it does not solve the severe peaks and dips at low frequencies caused by acoustic interference. And, of course, it's difficult to get a good sound on a string section or other orchestra instruments that way.

In a control room acoustic treatment is even more important, because that's the last chance you have to get the balance and EQ correct. Especially at low frequencies which are the most difficult to judge in an untreated room. Without good bass traps all rooms have a series of many peaks and nulls, and variations of 15 or more dB are typical. Adding proper acoustic treatment also improves clarity at low frequencies so you can better hear the individual notes played by bass instruments.

--Ethan

thanks for the info, Ethan. I don't think many are recording orchestal instruments around here, except for the occasional fiddle and such....especially 20 or more players.

Nearfield monitors being the rage seem to help with control room problems too, since people sit in 5 foot triangles with them nowadays.
 
Re: Re: Re: Re: Ah... silly me - should've figured...!

mixmkr said:
thanks for the info, Ethan. I don't think many are recording orchestal instruments around here, except for the occasional fiddle and such....especially 20 or more players.
I should be able to seat at least 15, maybe more, orchestral players in my tracking room. Having done some indie film scores, with the hopes of doing more, this will be a big plus to me and the studio.
 
Han
No way, thats not a studio thats a concert hall !!
Have you got a website with some photos ?

Anyways my extension just got to the drawing board
so I hope to have some draft plans pretty soon, I be lucky
to get 4 or 5 peeps in there, I hope the size isn't
everything rule applies ;-)
 
Han, I just checked out your webpage, very nice. Not really a home studio though !, but I'm sure it gets the job done
 
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