Big Beat, Contemporary, downtempo, Electronic

  • Thread starter Thread starter Generic Meds
  • Start date Start date
A nice collection of film score music. No nits to pick w/it.
 
lmao

Dude, thats exactly what i aim for. ANd the no-nitpicks about sound quality/composition is a major plus, since ive read some of your posts ripping motherfuckers appart for sucking/lacking.
or maybe its just no your type of music w/e.

Thanks
 
Well, not only do I have no nits, I shoulda said I like it a lot. Especially the way you use the low freqs droning way down around 30-50-ish Hz to give it an ominous emotional thing. I'd say you got a great shot at hooking a filmscore publishing house with a collection like this. You got about a dozen? You can search out something like "publishers music film suspense science fiction thriller submissions' Go through the list. Put discs in the mail...following instructions...or submit on-line, were asked to.

Not every film maker can afford John Williams. There's a demand for new talent. I think your stuff is more than ready to shop around.

ps...something to remember:

Steven Spielberg got attention with an early cult movie called 'The Duel" Dennis Weaver starred. He shot that movie with a budget of thousands. I don't remember who scored it..or if SS used a production music licensing service. [that type of business has been in existence since the 50's and 60's] But be assured, starting at the bottom is the only way to get to the top. You can bet SS took some of that musical talent along for his personal ride to the top. Or the composers have had the pleasure of being able to say their work was in a Spielberg movie, on a resume. Some publishers ask for one.
Be brave. Get busy contacting the people who can exploit what you got, for your mutual benefit. They don't look for you. Get in in the mail...repeat after me "Get it in the mail."
 
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nice stuff all round....makes more sense now you've said what your aiming for but even so it still makes for some cool ambient listening.....
 
yeah

i actually aim for listening in the car or home enviroment before anything, but money-wise it might not be so wise (me starting to make music actually came from me wanting to hear better electronic music than the current artists who've been fucking up today, so for years i would produce, and have my own album/music to fulfill my thirst for good electronic music, but ive gotten too far and too deep into this not to send shit out (+time and money for equipment)..

Electronic music has been devoured by 4 on the floor nonsense. And the ppl ive shopped to before have basically told me "this music is too far ahead for us, we mainly do trance/dance/crap/glitch/shitonlypplonacidenjoy.

Some ppl bitch saying i put too much midrange (most likely because of the Yamaha HS50ms) but i dont give a fuck. I try to make it sound like it wasn't done on my comp. Vintage Analog synths from the 70-80's will always outshine the software i use. So i try to emulate as much as i can. And that involves saturating, tube-effecting, and analog circuitry simulators. Which puts a slight touch of distortion on the mid section.

And ps: i dont have a dozen, i have over a hundred from every year ive been doing this. Most of the same quality, this is just a new era. Most unfinished, but its great to dig up riffs and sounds you made in high school, and use the fuckers now.
 
well other than "add n to x" and "xploding plastix" nothing much has interested me in the elctronica field for a while...that said i do aim to record my own brand of cheese shortly but im aiming more toward the audio bullys than pounding eurotrash...

hopefully


keep up the good work ;)
 
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