crispycutz
New member
Any feed back appreciated....IPDeluxe, if you jump on this this early, i'd like to thank you again for your illustrative answers, all over this board....
Okay, now that im recording artists who bring me their "original" instrumentals from their producers, im having to clean up mixdowns of these beats in the parametric EQ....
As we all know, every artist has a different voice, and sometimes I feel that just pulling back around 4khz or even 128khz. etc...isnt enough to get that eardrum fatiguing simbiance out...
My question (finally is what is the most effective, or difference between the De-Esser's in CEP??
There's one in Compression (Amplit>DynamicProssc.>DeEsser)
and 2 in "Filters" (Filters>Notch Filter>SimbianceSoftener)
& (Filters>FFT>De-Esser)
this is by no means a poll, but i'd apreciate some feedback as to which one everyone favors, or the circumstances in which one may be more ideal than the other.....
As always, links are great, and thanks to all who love recording and mixing....
-Chris
Okay, now that im recording artists who bring me their "original" instrumentals from their producers, im having to clean up mixdowns of these beats in the parametric EQ....
As we all know, every artist has a different voice, and sometimes I feel that just pulling back around 4khz or even 128khz. etc...isnt enough to get that eardrum fatiguing simbiance out...
My question (finally is what is the most effective, or difference between the De-Esser's in CEP??
There's one in Compression (Amplit>DynamicProssc.>DeEsser)
and 2 in "Filters" (Filters>Notch Filter>SimbianceSoftener)
& (Filters>FFT>De-Esser)
this is by no means a poll, but i'd apreciate some feedback as to which one everyone favors, or the circumstances in which one may be more ideal than the other.....
As always, links are great, and thanks to all who love recording and mixing....
-Chris