i think noisedude nailed it
it's the QC and support that are the biggest problems IMO with behringer gear. i only own
the HA4700, and i can hear a difference in some of the channels. the ones closer to the power supply seem to run hotter and sound a little more crackly than the ones farther away. now, when you're tracking a band with drums in a liveroom, that really doesn't matter too much. or at least, i can live with it.
HOWEVER, when you apply this to the compressors, mic pres, mixers, etc., i dunno about y'all, but i'd want all of the channels on, say, a mixer or compressor to sound the same. by all accounts, that's not always the case with behringer gear. there's also apparently significant fluxuation between units, and that's not a good thing.
bottom line, if you get a good one, you get a good one, and i'm sure those with some talent can use them to turn out fine recordings. but there's a high enough chance that you won't get a good one (or one that works properly in the first place), and that's enough of a reason for me to steer clear of their gear altogether. i can save and wait another month in order to buy something with a better track record and history.
as for the support issue, IMO, when you're buying behringer gear, you oughta treat it like an EV 666 mic--as if it was used, made 30 years ago and they're no longer supporting it. in terms of support, IMO, behringer gear is "disposable gear".....if it breaks, buy a new one.
wade
PS--the real travesty is that the majority of folks buying behringer gear are novices who likely won't be able to tell the difference between a good one and a bad one.......