I am not trying to argue with anyone here, I am just trying to understand. Here is a quote from Bob Katz's article at
www.digido.com website:
"Can Compact Discs contain jitter?
When I started in this business, I was skeptical that there could be sonic differences between CDs that demonstrably contained the same data. But over time, I have learned to hear the subtle (but important) sonic differences between jittery (and less jittery) CDs. What started me on this quest was that CD pressings often sounded deteriorated (soundstage width, depth, resolution, purity of tone, other symptoms) compared to the CDR master from which they were made. Clients were coming to me, musicians with systems ranging from $1000 to $50,000, complaining about sonic differences that by traditional scientific theory should not exist. But the closer you look at the phenomenon of jitter, the more you realize that even minute amounts of jitter are audible, even through the FIFO (First in, First Out) buffer built into every CD player.
CDRs recorded on different types of machines sound different to my ears. An AES-EBU (stand-alone) CD recorder produces inferior-sounding CDs compared to a SCSI-based (computer) CD recorder. This is understandable when you realize that a SCSI-based recorder uses a crystal oscillator master clock. Whenever its buffer gets low, this type of recorder requests data on the SCSI buss from the source computer and thus is not dependent on the stability of the computer's clock. In contrast, a stand-alone CD recorder works exactly like a DAT machine; it slaves its master clock to the jittery incoming clock imbedded in the AES/EBU signal. No matter how effective the recorder's PLL at removing incoming jitter, it can never be as effective as a well-designed crystal clock.
I've also observed that a 4X-speed SCSI-based CDR copy sounds inferior to a double-speed copy and yet again inferior to a 1X speed copy.
Does a CD copy made from a jittery source sound inferior to one made from a clean source? I don't think so; I think the quality of the copy is solely dependent on clocking and mechanics involved during the transfer. Further research should be done on this question."
In fact, I have noticed that whenever I dub a CD on computer, the resulting copy sounds different, sometimes noticeably inferior to original. Everything matters: ripping speed, recording speed, media...
So, in the digital world of onez and zero things are not that simple.
Therefore my question remains:
Has anyone experienced Yamaha's "Audio Master Quality Recording"? Does it make any audible difference or is it just a marketing trick?