I own
a VS1824CD and am currently tracking a full-blown project CD on it, with the help of a small boatload of outboard gear. This is what I've learned.- The A-D converters are not great, but they are adequate. The preamps suck, and you definitely want to feed it, or any other standalone from an outboard preamp. There is most definitely a learning curve with its complex editing capabilities and "Japanics" owners manuals.
Nonetheless, the box has never failed me (yet), and Roland's live tech support by phone has been great. They've talked me through a few brain mazes pretty well. Things I don't like about the Roland- 18 tracks with 12 faders is a pain in the ass. You have to use track exchanges to move less dynamic tracks to 13-18, so you can ride the faders. This is a somewhat bigger pain in the ass- Roland's backup system is proprietary, and can only be read by another VS studio. So in ordor for my album to be mixed and mastered in Pro Tools, it has to be pulled off the Roland 2 tracks at a time, in real time, by S/PDIF. If I was going to mix it myself on the Roland, that would be less of a problem. Finally, I really don't know jack about the Roland's effects. I'm recording Sahara-dry guide tracks, and will let the nice mixing engineer provide all that quaint compression and EQ, 'verbs, etc.
If you give the Roland a good clean signal, it helps a lot. Combine it with a good preamp, even a DMP3 improves the sound a lot. With a little help from Avalon, Joemeek, and DBX, I'm making an album on one (which may actually pay for an HD24 or a Mackie).-Richie