Started out on an Allen & Heath GS1, nice little 8 buss recording to tape
Moved up to an Allen & heath SABER 24/16/2 with 3 M-Audio Delta 1010's feeding cubase and the 8 track reel to reel that I always recorded the drums onto before bouncing to digital. The Saber was a monster and took up most of the room I was using at the time
Got a bit of a passion for the Soundtracs JADE but it was way out my price range so I dumped the Saber and settled for a soundtracs Topaz Project 8. Lovely little mixer with a magical EQ
The Topaz died and on a whim I got an Allen & Heath GS3V 16/8/2 ...opened my eyes to just how noisy the A&H boards were after owning the Topaz.
Earlier this year I took the Digital leap and invested in
a Yamaha N12. It integrates seamlessly with Cubase 4 via firewire and I can say honestly I'm producing my best sounding mixes to date. The routing is fantastic, great built in reverbs (really great) 8 channels of very useable morphing compressor. The EQ is very good considering it only has 1 sweepable mid. With proper mic placement I always get the sound I'm looking for right off the bat and at mixdown I'm using EQs on my UAD cards. Most importantly, the mic pre's are of a very high standard.
I've been using it for about 8 months now and produced 3 albums and a bucket load of demos on it. It's giving me the cleanest, richest most detailed mixes I've ever done. Don't believe the hype about analog, I was an analog junkie for years with racks full of equipment and huge electricity bills. I swore I'd never go digital till I seen one of these. It's a proper mixer with dedicated knobs and buttons for every function. It looks, feels, sounds and functions like an analog mixer