DeadPoet
carpe diem
hi,
this is from another thread which I hijacked....
That's like the statement that studio windows HAVE to be angled..that's just for reflection convenience, not for acoustic purpouse.
A good site is : exposing acoustical myths
Maybe John can help us here ?? Are non-rectangular rooms easier to get right ??
Herwig
this is from another thread which I hijacked....
Yup, I know this stuff.Originally posted by Michael Jones
Parallel walls create standing waves. That is, the sound waves bounce directly off of one wall, and then interefere with sound waves comming from the source as the reflected wave heads directly back to the source. When this happens, some frequencies are cancelled out and others are boosted. This doesn't give an accurate representation of the music or sound being recorded. Angled walls, because reflected sound doesn't bounce directly back, eliminates this phenomena.
I know this too. My referral too 'the maths are more difficult' meant: calculating the modes for a non-rectangular room is far more difficult to do right than it is for a rectangular room.As far as the math goes, I have to disagree. Its just as easy to measure and cut a 12 degree angle as it is to measure and cut a 90 degree angle. Likewise its as easy to measure and cut a dimension of 6'-5 11/16" as it is to measure and cut a dimension of 6'-6".
That's like the statement that studio windows HAVE to be angled..that's just for reflection convenience, not for acoustic purpouse.
A good site is : exposing acoustical myths
Maybe John can help us here ?? Are non-rectangular rooms easier to get right ??
Herwig