Hmmph. I just noticed its my 250th post. Figures I would be talking about myself...
Chrager: "The vocals are mixed perfectly (in Fallen Angel)" Now that's quite a compliment! Thanks! I'm discovering the joys of many-layered backing vocals panned all across the stage. This is how I meant for it to sound when I wrote it (12 years ago) but the ol' 4-track couldn't handle it.

My idea was to go for an angelic chorus effect- not that my voice is angelic...
And thanks a whole bunch for the encouragement to not get bogged down with the hearing/pronounciation stuff. That's a good thing for me to hear.
macle: (Back to "Mute") Ah! The art of recording a tune that grooves without drums: play punchy, play tight, have the lightest of touches on the compressor, and play that bass for all you're worth.

Thanks for checking it out and passing on the good word!
Panning the guitars out of the way of the vocals. That's the reason I was so excited about the M/S stuff I can (sort of) do now- for some reason I can't seem to get a wide enough stereo spread with X/Y micing. I can get it with t-racks on the final mix, but I'm not posting "mastered" stuff here, just the mixes.
Hmmm..."Mute" actually has two X/Y stereo guitar with only slight panning differences. Neither one leaves much room in the middle. I'll play with it and see what I can come up with. Maybe some EQ notching for both guitars on a strong vocal freq. would open the middle up, too.
As far as doling out advice, just tell us some stories about how you got your mixs sounding the way they do and I doubt anyone will complain.
mgiles7: Thanks for the listen, and the reassurance that it isn't too country. I was a little worried about that- not the genre I am going for. I was actually thinking some of the stuff Led Zep and the Eagles have done, but (of course) don't have the skills to pull that off. And the secret to treading Dead territory without sounding like them? I haven't listened to them.

I do listen to a bit of bluegrass, though, so we have similar inspirations.
And a question for you, if you don't mind: What, other than my pronounciation, is lacking high end? Maybe I should ask if the high end is just missing or if it sounds poorly done. Its hard for me to track and mix things I can't hear. I have friends help who can hear those freqs but they don't have the ears of a mixing engineer and are at a loss to explain what I should be fixing.
At any rate, I'm stoked that it sounds "Vintage!" instead of poorly recorded. I could settle for that and be quite happy indeed!
Thanks a lot, you guys.
Chris (a.k.a "He who types too fast and says too much."

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