That's not Mackie vs. Bheringer, that's Mackie vs. Bheri, Samson and Sam Ash, who Mackie claims to have *CONSPIRED" against Mackie to create cloned products?
Anybody can sue anybody for anybody on any claim. That means nothing in and of itself. What I'd like to find is documentation on the RESULTS of that lawsuit. Did Mackie actually win and/or prove their claims, or put any directly attributable evidence into the public domain that they were talking about anything beyond simple mimicking? Their words are "very deliberate copying -- both visually and electronically."
I don't think anybody with two eyes could disagree with the fact that Bheri reverse engineers and copies many of Mackie's ideas and configurations. Shit, the car companies do that to each other all the time (ever notice how one car becomes popular and two years later every other car on the market looks exactly like it?) But there's a long difference between that and copyright or trademark infringement, let alone outright cloning.
Because I find it difficult (not impossible, but difficult) to believe that one of the largest retailers of Mackie products would bite one of the biggest hands feeding it by conspiring against Mackie with the purpose of creating and selling products with far less name brand recognition and selling price.
Then again, we do all know that just because a company is big, that doesn't make them immune from being completely stupid. So maybe it might have more truth than I thought - though I'm not yet convinced.
The problem - and the truth - remains that the Internut is no place to take anecdotal evidence at face value; there is such a big heaping pile up bullshit floating around it that one has to double and triple check the facts before they can believe any of it.
Shit, just the amount of cowpie filling that stacks up on this forum alone ("studio monitors are flat. home speakers are hyped", "always cut and never boost EQ", "the pros hide the real secrets from the newbs", "use every bit", "Speaker brand X makes everything sound good", "toob, toob, toob", "mastering is mixing", "higher sample rates are inherently always better", "mo' louda, mo' betta", "if you throw a vocal over a rhythm track, you're a 'producer'", and so forth) piles high enough to choke a standing NBA center.
G.