That was my angle: Record clean into the board dry then treat with ReValver so as to be able to change the guitar track as mixdown conditions dictated. Recording the track wet leaves you stuck if something appears to need tweaking later.
Good theory anyway.
I don't know if ReValver is up to it yet.
I have a J-Station with J-Edit rigged up and love it (J-Station without J-Edit is GARBAGE, however), plus I have about eight or ten amps and fairly decent microphones...but these leave one with a track not much can be done with after the fact.
I haven't been all that impressed with ReValver's sounds, though it's still early days.