Acoustic Strings...

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I'm pretty sure I've said all of this before, but....


I am firmly of the belief that strings are one of the areas where a larger company is a better choice. Most of the smaller brands of strings are just buying their strings from one of the big guys (D'Addario, GHS, La Bella or Ernie Ball - Fender and Martin as well, but to my knowledge they don't do rebranded strings for anyone), and those smaller companies who actually DO make their own strings are without exception (in my experience, at least) very inconsistent. I can't even begin to tell you how often people using one brand of string come in frantic about a buzz they had developed - or a weird intonation problem - only to find that the problem was a string with a bad winding. Two of the most popular "boutique" brand strings are, in my opinion, the worst strings on the market. I'm not saying which ones, though.

Among the big brands, I can't say there is a big difference in quality between them, but they do have some slight differences in their formulas. One company might use a slightly heavier core with a lighter winding, and another may use a little more nickle in the alloy for their electric strings. I tend to prefer D'Addario's strings, though I do like Ernie Ball's electric strings too.

If you must have coated strings (pretty pointless if you ask me - they cost twice as much, don't last twice as long, and they feel weird; also, they sound like shit to begin with, so why would I want them to last?), the ones which sound most like real guitar strings are the D'Addario EXP's. They coat them before they wind them, so the coating is a LOT lighter, and they sound almost like normal guitar strings. They still don't make sense to me financially, and I don't mind changing strings (I can do it fast enough I don't feel the need to do it less often). In general, I say to just use normal guitar strings, and change them as often as you must to keep them sounding good.


Light

"Cowards can never be moral."
M.K. Gandhi
 
I've been using Dean markley Bronze recently. I like 'em.

Bit expensive here in the UK though as they're imported. Still, worth paying a bit more for what you like eh?
 
I'm pretty sure I've said all of this before, but....


I am firmly of the belief that strings are one of the areas where a larger company is a better choice. Most of the smaller brands of strings are just buying their strings from one of the big guys (D'Addario, GHS, La Bella or Ernie Ball - Fender and Martin as well, but to my knowledge they don't do rebranded strings for anyone), and those smaller companies who actually DO make their own strings are without exception (in my experience, at least) very inconsistent. I can't even begin to tell you how often people using one brand of string come in frantic about a buzz they had developed - or a weird intonation problem - only to find that the problem was a string with a bad winding. Two of the most popular "boutique" brand strings are, in my opinion, the worst strings on the market. I'm not saying which ones, though.

Among the big brands, I can't say there is a big difference in quality between them, but they do have some slight differences in their formulas. One company might use a slightly heavier core with a lighter winding, and another may use a little more nickle in the alloy for their electric strings. I tend to prefer D'Addario's strings, though I do like Ernie Ball's electric strings too.

If you must have coated strings (pretty pointless if you ask me - they cost twice as much, don't last twice as long, and they feel weird; also, they sound like shit to begin with, so why would I want them to last?), the ones which sound most like real guitar strings are the D'Addario EXP's. They coat them before they wind them, so the coating is a LOT lighter, and they sound almost like normal guitar strings. They still don't make sense to me financially, and I don't mind changing strings (I can do it fast enough I don't feel the need to do it less often). In general, I say to just use normal guitar strings, and change them as often as you must to keep them sounding good.


Light

"Cowards can never be moral."
M.K. Gandhi

Strings have come a long way since my early days of playing and the choices were Black Diamond, Bell, or Criterion (a string so awful they gave you 8 to a set). Back then I think it was only 4 companies that actually wound them. Today, all strings are better and far more inexpensive. Enough so that I could take 4 of my acoustic steel stringed guitars this spring and play around with different brands and see which strings I liked best. The guitars were a Gibson J-200, a J-45R, a '70 Guild F-50R Special, and a Martin D-21 Special. For uncoated strings I found the best tone from John Pearse (but they wern't consistant and there was corrosion on one set), best feel from DR's, and best all around to be Martin SP's. After playing them for a bit they were cycled to the 3/4 sized Yamahas at a middle school guitar class I teach and the 3/4 sized Chinese made Coronados I have for students here at home....where the strings were all promptly killed by the students.

It was an interesting experiment and I came away thinking I may put up with the fret noise and use SP's on the Martin at some point since it's a stay at home guitar, but have returned to using Elixirs on all steel stringed acoustics, electrics, and mandolins.
 
No coated strings are not a must. I got them figuring id get some extra life out of them I think im going to try a few different gauges of the D'addario EXP's. Play with those for a bit.

Thanks for the resounding chorus of input. I gotta say this was overwhelming for this board.

My faith in messageboards has been restored lol.
 
Maybe something to do with the temperature differential of the timber and the truss rod. Very hard to say as I've never seen anything like that and we get quite drastic shifts in temp and humidity here all year.

I think part of it is also just due to the fact that Ibanez necks are generally quite thin, and Universe necks are amongst their thinnest (the old ones, anyhow). If I remember right, the UVs and the old Jems were around 19mm. This is also on a neck that has seven strings, instead of the usual six, so its under a heck of a lot of tension, and the fact that I string very heavy (10-48 with a 68 low B) certainly doesn't help. On top of this, the neck was either shipped unfinished or oil finished, or a prior owner stripped it. Either way today it has no more than a tung oil finish on it, which I reapply maybe once every year or so. So, it's kind of a perfect storm. :D

And even then, that's only a shift of 2mm, maybe 3, to get from around 2mm up to 4-5mm at the 12th fret.

Personally, I'd be happier on a slightly thicker neck anyway, but I like everything else about this guitar. My strat, meanwhile (a neck that's still thin for a strat but is noticably thicker, and is finished in a thick vintage tint) is rock solid, and I almost never have to adjust the truss rod on it.
 
3 or 4 years ago, after not playing much for a few years and not needing to go shopping for strings (since I still had a few sets laying around), I was stunned at the variety of strings that are being marketed. It's worse than trying to decode the Gibson Les Paul line.

Fortunately the strings I've been using for years on both my acoustic and electrics are still being made (but who knows if they're really the same over a span of 10 or 20 years? :confused:).

I've never seen the need for coated strings. Strings are cheap; I play them until the tone starts to drop off then I change 'em.
 
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