Thanks for all the comments guys!
a few things...
Teddie. yes! the guitars are very over saturated, that's what the guitarist likes so that's how it goes down. it was like "No I don't want to use your Mesa Boogie for that part, I'll use the BOSS Metal Zone with the gain on 42 through the Peavy 5150"... well, ok then...
as far as the many comments on the drums... recording and mixing that kit is pure hell! it like something you'd find at a garage sell for $40. There's some hardware missing, the toms just sort of sit on top of the kick drum, I had to put pillows under them so that the kick drum mic didn't hear "ca think tha.. fart"
When the drummer got here I made him replace his heads (er um ductape) with USED heads from my drummers kit. (which three months later are still on the kit!) some axle grease on the kick pedal (we got barrels of axle grease around the farm here...

) He uses a wooden beater. (yikes!) he bought a new snare head for the occasion (yippie!) alas it was a think ass marching snare drum head, not a conventional match for his piccilo! I'm very surprised that head didn't warp the rim! that head was cranked down soo hard, the snares are tight as hell too (the release swith is broken) He has a little wrench between his top and bottom hi hat which rattles around when he hits it. (that's really cool actually, a nice special effect) the kit was rounded off with a $9 6" splash and 3/4 of what used to be a crash cymbal, and a china. I actually "re miced" the snare on this track, placing a speaker on a different snare drum and soloing the track with some heavy gating, a massive high pass filter, and then micing the bottom... after that i actually liked the snare sound. As bad as that kit really sounds, it goes along with the drummers style and fits the music (mostly)
The acoustic in the into is just a line in through a BOSS delay which was actually a "scratch" track, recorded at the same time as the drums. After that there is a miced acoustic track as was as a line in through the delay. LOTs and lots of guitar tracks.
The bass was a DI. the bass is kinda there. The bassist job is to play exactly what the guitars are doing and just add to the wall of sound. So I compressed the hell out of it, used a tape saturation plugin, actually boosted 80K and 250K, made it muddy and round and as "woomy" as possible. It's a little too woomy at the end during the guitar solo, but I almost kind of like that, like one note just booms out of the speakers from out of nowhere...
This band has a lot of killer songs, the guitarist/singer/songwriter is one gifted mofo. They have a bit of maturing to do, which they might do if they would turn down at their rehersals, I've tried telling them but still too loud! but man they've got something special there... and need for decent equipment.
-jhe