TyphoidHippo
1Trillion K Platinum User
Hey there,
I've been reading a ton of threads similar to this, but they all seem to degenerate into flame wars between "I can hear a difference" and "you're imagining it, or your equipment is broken".
That's not even what my question is regarding....here's the deal:
A local band (that is pretty damn good) went and tracked out their entire album at a studio that still uses archaic machines that only record at 24bit/48K.
They were totally unhappy with the mix the studio gave them, so they got the tracks burned onto DVDs and brought them to me to mix - I mixed one, and they came over to listen to it, and loved it. Sweet. We put an MP3 (16/48@192) on one of the guys little portable music thingy, and went and listened in the car - they loved it even more. Super sweet.
But now - when I try to render a mixdown at 16/44.1 - it gets all weird sounding. It's like...muddy and harsh at the same time.
I've never dealt with this before, and I'm kind of at a loss here.... Honestly I didn't expect this to be a problem - I don't really buy into all the dither/jitter/sample rate voodoo kinda stuff - but this is very real and quite a big problem for me at the moment.
I know that I could just send the 48K mixes off to a mastering house and let them deal with the conversion, but this band doesn't want that. They want the mixes from me - on a CD - and that's it. I know there's a bunch of mastering engineers here - so if you could share some wisdom with me, I would totally appreciate it. How do you make this conversion happen without it getting all screwed up in the end?
edit: I should have put this in the mixing/mastering section, I think....oops
I've been reading a ton of threads similar to this, but they all seem to degenerate into flame wars between "I can hear a difference" and "you're imagining it, or your equipment is broken".
That's not even what my question is regarding....here's the deal:
A local band (that is pretty damn good) went and tracked out their entire album at a studio that still uses archaic machines that only record at 24bit/48K.
They were totally unhappy with the mix the studio gave them, so they got the tracks burned onto DVDs and brought them to me to mix - I mixed one, and they came over to listen to it, and loved it. Sweet. We put an MP3 (16/48@192) on one of the guys little portable music thingy, and went and listened in the car - they loved it even more. Super sweet.
But now - when I try to render a mixdown at 16/44.1 - it gets all weird sounding. It's like...muddy and harsh at the same time.
I've never dealt with this before, and I'm kind of at a loss here.... Honestly I didn't expect this to be a problem - I don't really buy into all the dither/jitter/sample rate voodoo kinda stuff - but this is very real and quite a big problem for me at the moment.
I know that I could just send the 48K mixes off to a mastering house and let them deal with the conversion, but this band doesn't want that. They want the mixes from me - on a CD - and that's it. I know there's a bunch of mastering engineers here - so if you could share some wisdom with me, I would totally appreciate it. How do you make this conversion happen without it getting all screwed up in the end?
edit: I should have put this in the mixing/mastering section, I think....oops
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