glynb said:
I was followijng the logic, and agreed with it, until i came to this part...
"The neat thing about this future model, which is unfolding now, is that it puts the little guy right up there with the big acts. The masses can browse the database, look for new artists and not have their choices limited by the few i.e. record companies of the past 30 years. If a new artist gets a lot of airplay then they will rise in the ranks towards the larger takings. However, the niche artist can still have a following for a smaller audience and not be run out of town for low album sales. "
I think this is naive personaly. People will go online to download that artists that they have heard on the radio, MTV, TV etc. They will not for the most part trawl through databases of unknown artists searching for good music. Of ocurse SOME will, just like some record buyers currently like to search through small record shops for obscure good music. But most sales will be to 'mainstream' artists that have the backing of a large lable with the financial muscle to push them, get them TV appearances, brirbe, er i mean hire record pluggers to get their artists on the prime time radio, get them on MTV, get them plugged in the music press and magazines,etc etc, none of that will be open to the little guy any more than it is now. Big music biz is not about to roll over and let the independents have a fair share of the action, never, they have too much money and influence.
So I think you'll see little difference between the type of stuff/artists in the download charts as you'll see currently in the purchased CD charts. The public buys what the public hears, controlling what they hear is not about to be bust open to every aspiring artist, won't happen.
I think you are right in the near term but wrong in the long term.
In the long term the internet makes playlists and radio funnels, because that's what they are; funnels of decisions that consumers buy into, obsolete.
It's all about supply and demand. There is much more supply than demand in the music business and radio/MTV cannot cover the supply. They also are not doing a good job of bringing multi million dollar, multi album artists to the forefront.
Right now MTV and the radio, because they are part of the same broken down system of the last 30 years, are delivering short life, one hit wonders by the dozens. They glean the feild of existing talent, pick a few, promote them and then abandon them. They also support a few older long term artists i.e. Elton John, Sting, McCartney etc.
The potential of the new market paradigm I see is music direct to the end user. A simple site search engine and list of most popular downloads, produces popular artists by taste and not by control. Play charts and top ten plays are based on business plans that demand quarter to quarter earnings. Search engine and download lists somewhat make it a users choice world vs the "here it is and you need to buy it from us" world. We really don't need radio or MTV anymore but I imagine the larger acts will continue to gravitate up to them.
Diversity is the name of the game. The companies that have diversity and art in mind will be the immediate winners of the new order. Those who maintain the same old formulas, long past their prime, will tend to fade away. This is the vision over the next 5 years. After that I imagine the last vestages of Sony and others, will attempt to buy the infrastructure Microsoft and Apple are building. This has the potential for taking things back to control of the artist scenario again. But for a while here, there will be some new opportunities.
As long as we keep feeding off radio and MTV for our opinions we lock ourselves into their view of the world. There is another view of the world, your own musical interests and what you genuinely like.
Oh, another opportunity is internet radio geared toward specific music genres. These are low cost, don't depend largely on the advertising model of existing radio stations and could be another great paradigm moving current airplay models into an environement of homegrown vs big corporate.
Radio of the past required large infrastructure of transmitters and marketing departments. Anyone can build their own station now at a lower cost ie. a server and a database, cheaply streaming new artists out there.
Well, there is my view of things to come. My overall point being that those who who get on the stick right now have some open ground for new opportunties.
Last, the fame and success thing, new artists have to get over this concept. The whole basis of the internet music industry produces new possibilities where fame is not as high but could be longer. The same for return on investment, possibly less money over a longer period of time. Remember, nobody is taking an inventory risk here so music doesn't have to be obsolete.
In fact, I have been searching for years for Ralph McDonalds album, "The Path". This is an incredible percussion album. No way to get it now as it is out of print. This will not occur when, like the TV commercial says, "Any movie ever made on demand". Soon this will be said about music availability --- post 2004....