Here's a short little thing (~1:22) I put together just today. In this recording and mix, I'm mostly concerned with a couple of things, though if any of you have technical tips that would help improve my work, I'm ready to hear the critiques.
1) How is the tone of the guitars (both rhythm and lead; ignore the uninspired and poorly played improvisation...this was just some noodling)? In general, I think the tone on the guitars works here, but I'd like a second opinion.
I recorded them both with a tele-clone running through a Vox AD30VT (modeling) amp, mic'd with an SM57 about 1.5" from the grille and pointed straight into the dustcap/cone junction. The amp model I selected is supposed to sound like a Fender Bassman, and I dialed in a bit of gain and quite a bit of high-end on-board EQ (mids about 50% and all but 15% of the lows cut out). I also used the on-board "COMP+CHORUS" f/x, with the compression all the way up, and a very light, quick modulation on the chorus.
2) I'm unhappy with and would like to fix the "clunkiness" of the mandolin, especially near the end (~1:15) when I go from playing a non-chordal "chop" to an actual chord; it's especially bad on the last chord. If I had to guess, I'd say the mandolin needs better playing and mic'ing technique, but I'm not sure. (Any mandolin players out there? I'm not...) What would you do to improve it?
I mic'd the mandolin with a Blue Spark (LDC), 8-9" from the instrument, with the mic positioned near the neck joint and pointed back towards the bridge, and was playing pretty lightly but with a medium/thick pick.
Thanks in advance for helpful suggestions.
1) How is the tone of the guitars (both rhythm and lead; ignore the uninspired and poorly played improvisation...this was just some noodling)? In general, I think the tone on the guitars works here, but I'd like a second opinion.
I recorded them both with a tele-clone running through a Vox AD30VT (modeling) amp, mic'd with an SM57 about 1.5" from the grille and pointed straight into the dustcap/cone junction. The amp model I selected is supposed to sound like a Fender Bassman, and I dialed in a bit of gain and quite a bit of high-end on-board EQ (mids about 50% and all but 15% of the lows cut out). I also used the on-board "COMP+CHORUS" f/x, with the compression all the way up, and a very light, quick modulation on the chorus.
2) I'm unhappy with and would like to fix the "clunkiness" of the mandolin, especially near the end (~1:15) when I go from playing a non-chordal "chop" to an actual chord; it's especially bad on the last chord. If I had to guess, I'd say the mandolin needs better playing and mic'ing technique, but I'm not sure. (Any mandolin players out there? I'm not...) What would you do to improve it?
I mic'd the mandolin with a Blue Spark (LDC), 8-9" from the instrument, with the mic positioned near the neck joint and pointed back towards the bridge, and was playing pretty lightly but with a medium/thick pick.
Thanks in advance for helpful suggestions.