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so after i have my track mixed down and i've got everything sounding right, how do i go about with the loudness? i know it's always good to glue everything together with very light bus compression (low ratio, long attack and long release). but what about the limiting?

so i've been working on getting my mixes to sound as professional as i can. i've read a lot about compression, eq, limiting, etc. ive also read about some of the tricks the pros use to get things to sound nice, warm and loud (saturation, bus compression, tube coloring, etc) there's something...

you need to look into getting a nice audio usb/firewire interface and that will solve all your problems. there are some cheap ones but you have to be careful what you get. http://www.musiciansfriend.com/navigation/computer-hardware-recording-cards-audio-interfaces?N=100001+304891 try to stay...

it could have been a camera to record his finger movements. i saw something like that and i also thought it was a mic at first.

if you already have all the compression and mixing set and done, then you should try using the psp wintage warmer. most pro studios use analog compressor/limiters for their drums. the effects plug-in i mentioned sounds very close to the real thing. and the issue with the not quite real is...

you should read the manual. if you don't have it, get it form the alesis website. i used to have an old yamaha dtx version 2.0 and if it wasn't for the manual i would have never figured out how to use it.

well like the other people are saying, you missed the most important part you seem to be on a low budget so the cheapest way to get this working would be buying an alesis (midi/usb only) module just go form your trigger to the module, and from the module to your computer/midi interface

first, i am NOT clipping the inputs at all second, on "time is running out" everything is already how you tried to explain me to do. i have reverb as a send effect on every guitar track. rythm guitars are panned left and right with the same volume and same settings on amplitube 2. the electric...

here's another try with amplitube (same guitar, same strings, same cable) im gonna try again with a friends guitar and a new cable soon. he'll be be playing too so it wont suck (im no guitarrist). http://boomp3.com/listen/bz4s4y0cn_k/time-is-running-out

this is for windows only D:

im not clipping at all on the way in. the only solid state amp i have is a 15 watt crate, and i also have that metal zone distortion pedal that a friend left at my house. i was thinking maybe i could get a 30 watt orange crush, but i really like the way tubes sound. here's the link again...

i think the biggest problem with electronic drums is the snare. i messed around with a 5000 dollar roland kit and the snare was just horrible. ghost notes are almost impossible. i really like the whole point of them though, because i am an electronic musician mostly, but i really want to be able...

hey, thank you very much for taking the time to reply. you basically told me everything that i was thinking was wrong. im gonna try to upgrade my guitars humbuckers to some descent gibsons and get some very much needed new cable and new strings. im also gonna try out those programs and let you...

i thinking about spending about 500 dollars on a used electronic drum kit (yamaha dtxpress with update snare pad) with addictive drums or spending about the same money to upgrade my pearl drumset (new heads, cymbals, another rode nt1-a for overheads, a sennheiser/audix/shure kick mic, a...

this is what i have so far boomp3 dot com/listen/byyyge7en_6/behind-enemy-lines here's a list of what im doing to make it less complicated 1. guitar is an epiphone les paul my dad bought at a pawnshop for around $300 like 4 years ago. the strings i have on it now are ok, but i've had...