Search results

Greetings to everyone over here;haven't been to these forums for a while but when I was posting a lot a year or so back learned a lot from everyone who replied to my threads and want to thank everyone again for taking the time to help me figure things out..... Have moved to an "in the box" DAW...

Been getting this for a couple days-using SD card w/a lot of tracks still in MTR partition only ... Appreciate any advice from people who've dealt w/this.. How can I get the unit to read this card again instead of getting this as soon as I power on,preventing any further processes... Been...

Been getting this for a couple of days when powering on w/SD card I've been using primarily... lots of tracks on it and don't want to lose them. Unit works fine w/other cards.. This card shows no problems in laptop where empty FAT partition is readable immediately... files are still in MTR...

I just read an article over on the SOS website indicating this is standard practice; unmastered w/no bus EQ or compression... Any feedback/info about this appreciated,thx....

Every once in a while I like to post over here,enjoy the opportunity to get feedback from the regulars whose help over the last few months has been iinvaluable and the sense of.being part of a larger community of people focused on the same things I'm developing an approach to...makes the...

Anybody have exp w/this or the other kick generator plugins he makes?

Currently focusing on using the reverb screen settings on the DP008ex to set up the stereo field depth/width aspects along w/adjusting the panning/track levels etc and would appreciate any feedback/tips from other DP users about- Diff rev type options(i.e.Hall/Room) and using them for specific...

Working on getting the kick drum sounds on a RT223 and would appreciate any tips/feedback from other Rhythmtrak users - Which of the kick options(#0-26)work best to get a good sounding kick w/enough lows/thud as well as beater sound? I'm finding that the kicks as a whole at the center 0.0...

I started a thread over in the Mastering forum here last week that got into this a little- The DP series of digital recorders all have the same MBC type w/presets w/adjustable parameters-but only for threshold/ratio/and level(make-up gain)....having worked w/them a little I've noticed that a...

I spent a lot of time mastering the current track I'm working on,tweaking the MBC settings to get the type of sound I had in mind...then when I normalized it the sound changed completely,all highs w/none of the mid/low range aspects I'd achieved w/the MBC settings.... Fortunately my set up...

I've been getting some good feedback/info over here in different forums about various aspects of the overall recording process but really could use some ideas on the approach I'm using from other DP008ex users in terms of its specific functions- As far as using the mixdown/mastering processes...

Since my last thread ("panning mono tracks for stereo mixdown" below)generated a lot of response and led to a bunch of good info being posted as well as some equally interesting tangential side discussions,all continuing to contribute to my developing understanding of different aspects of the...

Appreciate any feedback/tips re- pan position of individual tracks for mixdown...i.e. How wide a stereo field do you set up...? How many tracks are center panned...? When an instrumental part is on 2 tracks instead of 1 what type of pan position do you use....hard L/R or somewhere between...

Looking through the DP-008ex manual yesterday and happened to see the section on mono + stereo bouncing- wondering if anyone who's used the stereo bounce approach as well as the mixdown/ mastering approach could tell me what the different results are-i.e.the difference between the stereo master...

Been studying about this online +figured I'd post over here to get some specific feedback- Making some recordings that are fairly simple in terms of the mix-keyboard/bass/drums/pad mostly ... Finding info suggesting an approach that involves the keyboard w/reverb/delay in the center(or on two...

Been looking around online to find info about this w/no results- Wonder if anybody knows where the fundamental frequency is(re-tuning range)as well as where to cut/boost...Any info re-other L/P instruments like agogo also appreciated....compression approach as well....was able to find info on...

Been reading a bunch of online info about this + wonder if anyone here uses it or similar software to focus on "translation" i.e.how a given mix sounds on different speakers/ /w/different playback context parameters... I'm interested in finding out info re-the specific types of frequency range...

Been working on things using a TASCAM DP-OO8ex which has a low/high shelf EQ built in...got tired of the limitations so I looked around online and found a good deal on a Samson S curve 231....appreciate any feedback from people who use/have used this ....+ about using 1/3 octave equalizers in...

Trying to figure things out in terms of output/input....from my keyboard workstation into my Tascam DP008-ex -i.e.- if I record from L/R outputs to a single track would this be a mono recording?The same output to two tracks would be stereo or,since the same signal is being recorded to two...

Just started messing around w/this and would appreciate any tips/ insight in terms of what you can do with it .. .i.e.setting the EQ low/ high frequency #'s- is this "interpreted " by the unit in terms of a wide Q i.e.the surrounding frequencies are also affected or in terms of a boost/cut...