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    Aitor Ochoa & Mad Mule. New CD/LP

    Hello all, We have a new record. All These Words Will Die Before The Morning | Aitor Ochoa & Mad Mule all the best! Aitor
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    Ideas for new analog business

    Hello all. After 6 months trying to find a new job, mostly graphic, web design, whatever... I have one skilled friend who knows how to build amps and analog effects quite right, and I was wondering what kind of things would people would like to find right now, in this days of saturation of...
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    F+++ you // a beautiful song to cover

    https://aitorochoa.bandcamp.com/track/fuck-you
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    Portastudio/4 tracks cassette tips & tricks

    Hello all. I'd love to know some tricks you may have learned or discover for using portastudios. I currently have a Tascam 244 and a Akai Mg614, and I am quite happy with them. I know some people like to record takes pushing a little the eq on the high side to prevent a later base or muddy...
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    Tascam 244. strange problem, record but does not play track 1 on remix

    Hello all. I have a strange problem I dont know where to start. There is no technical service for this in Spain... The thing is if I record on track 1, it works, I can hear what i have recorded on the tape cue position, tape out 1 works too, but if I change to "remix" and track 1 to "TAPE" it...
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    Repair Parts “just in case” for a Tascam 244 and where to buy on Europe

    Repair Parts “just in case” for a Tascam 244 and where to buy on Europe Hello all, I am waiting for a Tascam 244 I found after looooong time …. the thing is im almost new to this things the seller says the Pinch Roller needs to be replaced. I suppose the other rubber parts would be on the same...
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    Heavy hard wood riser on a small recording room

    Hello all, just a quick question, i have a heavy hard wood riser of 60 x 35'', 4'' tall, on a basement I used to use as a drum riser on my rehearsal place. Would it be used in some way in a home recording studio as a basstrap having it filled with absoving materials? leaving it on the floor or...
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