Focusrite is a good pre tho for the money. I have used one for years, still have it. But as others said try to treat the room and monitors.
If you absolutely need to upgrade try the UAD Apollo 8. But I would stick with the Focus
Lol in a world with unicorns lol. True if its sound good its done for blue grass. Not in todays EDM/Pop/HipHop world with 60-70 Track sessions. The goal is to get it to sound its BEST not "good". So there for EQ and comp are used in the professional realm 100% of the time.
(This is targeted at...
Try Balancing your mixes from the start and you will have less issues of the kick not coming through "on any mix". Then you will less likely have to use compression or even side chain for that matter. Often balancing is a subject talked about the least in audio engineering. Simply balancing a...
D/A ->Digital Component ->Digital Component->Analog Component->A/D ...So in this situation a clock would be needed? But most mastering engineers use all hardware anyway...I mean the rare System 6000 users audio routed to that I can see. So this would be a situation where a clock would be used?
So you mean if two digital devices were exchanging information before conversion then a clock would be needed? Why? if the mastering engineer is in the analog domain as Boulder stated?
I want to hear opinions on word clocking in mastering been seeing a few setups with. The Antelope Atomic is what I use to hear bout never really payed attention now. But what are you guys thoughts?
Im with John here I use less & less comp these days.... My opinion Parraell comp is over rated..it aint shit but copying & pasting the same shit with a diff sound "maybe".