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So I've been thinking about reverb a lot lately and was curious about different techniques in general so I decided to run some experiments. It's common to advise producers and engineers to send tracks to one reverb instantiated on an aux tracks for the sake of CPU but I was curious if this...

Thank you, Dave. This was more of what I was looking for. I have a UAD Volt 1 that I'd like to connect to this. I haven't made the purchase of the Soundbar yet as I'm still shopping around but its either going to be this or something similar.

are you trolling me?

So I'm trying to put together a little cheap digital guitar practice rig. I'll have a iPad running some guitar emulation software and I'll be getting to that via an audio interface with monitor outs. I'm trying to figure out a way to have a speaker setup without having to buy a pair of studio...

I’m looking to find a design that I can pass off to a contractor for a sound proof door that will separate my home studio from the hallway that leads down toward the bedrooms. It can get pretty loud in the studio and I’d like for anyone looking to rest or do anything else in their bedrooms to be...

I'm looking to build a soundproof wall. I'm searching around for a design and I'm not sure what will work best. Can you guys point me to a good one if you have any experience? Right now I'm leaning toward the Double Leaf design.

Does anyone know of professional service that does sound proof walls in South Jersey?

My main concern is to stop sound from escaping through the wall with the glass. Anyone else got any suggestions or tips?

Do you have any suggestions for the sound proof wall situation? Also, that bar is really just going to mess up my entire vibe. Obviously, the space is far from ideal. I just want to know how to get it the best I can. I won't be doing any major mixing in the space but there will be plenty of...

Hey guys, Its that time again. I just made a move into a new space and I really need some advice on treating it. Its quite the awkward room for a studio but its really all I have to work with. I'll try to be as detailed as possible with the description. So the first couple things to note are...

I was reading about impedance (still confused) but from what I gathered it is preferred that the input impedance of the preamp be about ten times the output impedance of the mic. I'm running a Telefunken u47 which has an output of 400 ohms into a Neve 1073. According to the manual, the Neve is...

I've been hearing more and more about mixers using compression and eq on their mix bus and I gave it a try. It definitely boosted my confidence as it brought me a lot closer to the material I was A/Bing during my process. My question is, should I leave the compressor and eq on when I send it...

So I finally got to experiment today with this technique and it didn't really come out like I wanted. The multiple reverbs started to layer over top of each other and started to get sorta washy. I really wish there was a way to have one reverb and set the desired predelay for each instrument...

A lot of great responses here. I'm going to be experimenting with with these instrumentals I just finished but i haven't recorded any vocals yet and I sort of want that to be my anchor. My main goal is to try to approach the use of reverb as strictly a "space" tool. For a while, I just thought...

So I've been thinking about ways to better achieve front to back separation using reverb. I would assume that generally most mixers want to produce the illusion that everything in the production is sitting in a 3D space. I've been experimenting with the use of predelay and found there is quite a...

So I don't normally do much high gain stuff. Crunchy rhythms is my usual. A song I'm working on called for a lead tone during the hook. I cranked up some pedals and laid something I'm pretty satisfied with. The only problem is that there is a pretty loud feedback in it. I managed to EQ it out...

Still confused haha. They reason why I'm trying to understand is because my ears still aren't fully trained to hear exactly whats going on. Sometimes I don't even hear a difference between different setting.

I'm going to have to apologize for yet another Compressor Question but I'm attempting to make leeway in my understanding these things. I understand that the attack time is the time it which it takes the compressor from the point the threshold is passed to finish clamping down on the audio. It...

I was looking for a critique on the overall sound. It was a MIDI groove. What was it that gave that away? Any advice on how to make them sound more "real"? I'm trying to get convincing live drums using strictly software. I don't have capabilities to record a live kit right now.

No one?