Search results

Well she's in love. She ordered it. It'll be here on Wed. so I'll post my review then. Thanks for all the info folks.

Well she's going to the big city tomorrow to play through an SWR SBII. We'll see how it goes.

My wife plays a 70's Gibson Hummingbird (was mine :confused: ) which is equipped with Martin Gold Series P/U under the bridge. She's a relatively new guitar player and recently started singing and playing in my band. For rehearsals she's been playing through my old Yamaha G112 which she hates...

Nice work Seeker! Very impressive! Quality workmanship. You should be proud of yourself.

Another thing is you have to hand-hold the LDC like the girl in the MXL ads. Otherwise, you are f*cked :D

I just want to say, great thread. :D I think this is something alot of us struggle with. My biggest struggle is the problem of multi-tasking. If I concentrate on my Vox my playing goes to shit. If I concentrate playing my Vox goes to shit (well it was almost there to begin with). Oh well...

Hey Greg! This song is gone and I just stumbled on this thread. I'd love to hear your take on this song is you could repost it. BTW have you heard the LAMF version with Thunders? Love all your stuff.

Nice instumentation. I'd like to hear the bass walk around a bit more. Nice sound on the bass BTW. The guitar sound is almost there for me. But it's missing something. Maybe it's not the "edge" so much as the distortion is a little too smooth. Was the guitar recorded through a tube amp? Maybe...

Hey Rich. Watch the Newbie page (no offense), Other Equipment page, Recording Techniques page, lightly observe the Mic Page :D , and otherwise browse around. Out of all the forums I surf, this one is one of the most laid back but don't fool yourself. There are some really smart people here who...

MM, same SG same year. Don't know if the Bigsby was stock on that or not. I took the spring out and never used it. Sold it when I moved to the country along with my 70's JMP. Let's all say it together. "Ridgeback is a shithead" . Very good class. Also a 400 watt pre CBS Fender PS400 that I sold...

Sorry Glen. I was just going after the OP's situation and although the article I posted wasn't the one I was looking for, it seemed to "loosely" lean in that direction. Hope that clears things up a hair.

Not so fast. I found it in a book. OK. Send the monitors in mono to the booth or room. Switch polarity on one of the speakers. Talent faces the mic and the monitors. Because the monitors are out phase the bleedover was minimal. Nothings perfect but it took me about 15 minutes to get it close...

I own the AES500 and it's an OK guitar. I do like the looks of them but between that and the Epi LP....I'd take the Epi.

I Hate Math :D So Heil's full of crap? Maybe just a little outlandish in his wording perhaps? I see exactly what you are saying though. Maybe you could give us insight on how one could get live monitoring out of phase from the mic that is recording so essentially the mic doesn't hear it.

How do you mean Glen?

Hola! Fuck you!

No need for combat here man. Enough going on all over the world. That's a good start man. Decent mic and some good reading material. Let's just drop that right here. Again, what about your sound aren't you happy with? Maybe we can help.

OK, not the article I'm looking for but it's a start to the basics. Bob Heil “I had brought in these monitors and started thinking ‘wait a minute I can start playing with phasing’ . . . and I DID. We would run the microphones out of phase from the monitors, something that nobody had been doing...

True, we're all trying to break ourselves from the professional recording method :D .

Thankyou sir. Wiping off the keyboard and screen.