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yeah I was gonna say b4...why do you want the bigger hole, when the small ones are almost always good enough :D :D

Inside the female thred (on your shock mount) is a "threaded ring"that serves as your adapter for smaller/bigger hole mounting.That adapter is usually screwed into the shockmount when packed (easy storage).When you remove that threaded ring you will be left with the bigger thread which should...

Hey Nate, I'm not too familiar with the mics you listed, but here's a clip of the K2 in use.Very listenable vocals, and easy to judge the mic.I found it a bit "clouded" at times, but otherwise , for the price, I really like the sound recorded in this clip. :) edit: oops better include the link...

hey shmak, have you considered the AT3035.It's cheaper than C1 and not as hyped in the upper range.Maybe even a bit dark.But would suit a higher voice (female?), acoustic guitar, maybe used on a guitar amp sometimes....there you go a few options...it's a nice mic for the price. :)

Yes , the adapter is in there (your female mount).You just need to take it out, and then you'll have the bigger "hole" :D

Sorry champ...which one's Rode C5?/ got a link or something? :confused: :(

Hey Lee, I have both of these mics and for what you want I think AT3035 will be a better choice..and generally, i think a better mic than the C1... Let us know how you go.. :)

Thanks mate :)

Hello, Does anyone from Australia own this unit or know where to get one?? Preferably in Melbourne area Thanks heaps

any links to a picture of it?/ thanks Poet

Hi Steve, I didn't have luck downloading that sample :(

yeah that's a raw version that I just quickly mixed down for you guys from Cubase. The version on the CD is a bit louder :) mic was probably a foot from the guitar (maybe a bit less)

Here's one of the pieces (short clip). That's the only one I had left in my archive, nor the best one, but should give you a general idea. http://www.nowhereradio.com/artists/?aid=1969/singles cheers :)

Yeah guys not a problem. The only thing I have to do is ask the author for the permission, but it shouldn't be a big deal with him..He's coming in on sunday, but I'll try to organize the clip for you even earlier :)

I had some real good sounds on a classical guitar with the 3035. I used my boards pres (tascam 3500) and just a tad of comp/limit on the way in (tl audio). A couple of pieces come up fantastic with just a tad of verb added to the recording. I had it @ 12th fret slightly off axis (towards sound...

yeah, pretty nice, smooth mic for the price huh ;) :)

........FMR........ :)

that is not very true. use the comp/limiter on the way in, just limit your peaks so you don't get clipping, and then compress when mixing.. I haven't used behringer compressors but that suggestion sounded favourable over 3630 and samson, which i never heard of. good luck

........or.... use some headphones when recording..:)

Add as much mass as you can to the shell of your booth