Search results

O.K. I see what your saying, that all makes sense. Thanks for the info.

Could someone explain the advantage of 24/98 recording over 16/44.1. Am I correct in that when the final tracks go to cd it is all converted to 16/44.1 ? If that's the case in my mind it seems there would be little to gain.

"Big Ray and funckyfinger – here are clips of the original wav files" Thanks so much. The samples are downloading now so I haven't heard them but I don't need to.I got my msh10's yesterday and was blown away. I will surely buy the 4's soon!

I capo at the third fret so it is a little high and the guitar is a little bright. These mics are dirt cheap.$44 for a matched set.The guy that makes them frequents this forum so I'm sure he'll give you more info. Naiant Studio is where their made. I'm sure a search will turn up more info.

Well as promised in another thread I could not find, I'm posting an mp3 of my new msh10. http://brianharder.com/music/msh10-01.mp3 That's the dry recording. D18V-strereo msh10-DMP3 -TascamUSS122(pre's bypassed).All I can right now is I'm am very surprised how well it turned out. I'll chat more...

Check out this link. They have samples of both.Everyone seemed to prefer the Rode. http://acapella.harmony-central.com/forums/showthread.php?s=&threadid=1344346&highlight=rode+nt2a

Well I hope these mics do what I'm hoping for,I just ordered a matched set of the 10's. I have been really into messing with recording acoustic guitar and vocals, one mic,one take. I want my recording to sound like your in the room with me. Sort of like the old bluegrass single mic recordings...

"can you post some straight samples, Tim? (no eq, low cut, verb) id like to see what they sound like raw." I would like to hear that as well.