Search results

nobody here really knows who i am, but sure, why not...

yes.

it's only coming out on november 12, but look for Godspeed you black emperor's "Yanqui u.x.o." ... it rocks! they're very particular about every aspect of the production... ie no 'loud' syndrome, and an otherwise excellent recording. also i'll second nin's "still" someone mentioned earlier.

this place is twenty times more helpful than guitar.com could ever dream to be.

hey charlie... i think you and I migrated over here from guitar.com at the same time. i used the name flukeshot there, and i remember you were one of the four other people who would frequent the recording forum apart from me. kinda funny to see you here. i have no advice to offer since i'll...

first of all, thanks for all the replies! second... we probably wont be doing a terrible amount of midi controling... while the MS2000 looks pretty cool i doubt it would work for what we'd be using it for. although, considering i also do a fair amount of tracking other bands in my modest...

no problem man!

hello all. i currently have an electronic keyboard which i only use for practice. i would describe it as 'the most expensive thing you're likely to find at a toy store.' anyhow, now i've got a PA, so using keyboards with my band is possible, and i'm looking for a new one. I'd be splitting the...

yeah but imagine yourself writing this... you're not a writer by trade and you're trying to continue what someone else has begun. As such, dont you think you'd try and - or maybe just fall into this accidentally - fit into the already created groove? iow, lance might be doing that sort of thing...

p.s. ... i've got a mackie cr1604 and it's great.. i got it off ebay and everything's a-ok. however, everyone here will tell you "SOUNDCRAFT, SOUNDCRAFT, SOUNDCRAFT!!!" and in all honesty i'm going to be upgrading to a spirit m12 when i get the chance, so check them out before you commit to...

... in a symphony?

hello all. i'm going to be recording my first major project pretty soon and there's one last loose end to tie up, equipment wise, before we begin. I need something for the singer to monitor with that wont bleed onto a vocal track and something for the drummer (and for myself when i'm practicing)...

sorry, vtb1, not vmp1. i think the vmp1 is peavey's model, and it's more of a 'real' pre. =P

i've never had a behringer nor an audio buddy, but i do have a dmp3, which is apparently quite similar plus better phantom power. i haven't tried it on acoustic yet, but i'm pleased with what i get from it amping my overheads (mxl603s.) From what i've read, these pres are a nice step up in a...

yeah that guy just wanted to seem smart by pointing out he knows this and that about writing. obviously, he knows nothing because the difference between the two is night and day. how good of a writer would mixerman have to be if he was making all of this up and writing lance's stuff? to change...

i dated a french girl here in montreal and she was the picture of perfect hygene, (not to mention drop-dead gorgeous... too bad she was an airhead), whereas my anglo feminist friend and a lot of her friends dont shave their armpits and have less than stellar hygene, to put it nicely.

XLR connectors lock, so i dont think it would damage anything, but it's very possible i'm wrong.

well if i had the opposite problem it would be easy since i've got C418s on every tom... and yeah i was a little confused about facing them away from the cymbals myself. i think once i get a pad for them i'll be able to mic the cymbals closer and that will raise the cymbals vs the toms which...

I'm micing my drums with MXL 603s as overheads, sm57 on snare, d112 on kick and akg c418s on the toms. The problem is that the overheads pick up way too much of the snare and toms in comparison to the cymbals. can anyone suggest placement / eq / whatever to maximize the volume of the cymbals and...

nooooooo!!!!!!! cmon I pmed you first, and yeah i can do the four hours! neeeeeeeed foam