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The 1176 the la3a, and la2a. Ahh figgin Ha

hey i just wanted to put this up for review, if you've got a minute let me know what you think. www.myspace.com/evesedenband thanks!

Turn down the cymbals, find a beefier snare sample, and try a multiband compressor on the 2-bus with a smiley face type preset, then adjust to your liking from there. the bass sounds a little too throaty in the 750 hz region, perhaps tame that a bit.

Probably due to the aforementioned over-compression, but the bottom end is very loose. perhaps roll off some low from your guitar sound....or try dipping out some 95 hz.

Im inclined to agree with you there. Ill back up the l2 a bit n see if that not only de-heats it but adds more dynamics too. Thanks for the listen rokket.

Thanks for the listen :)

Though i do disagree respectfully. I can appreciate your tastes. And no this project does not incorporate sub type bass other than the 60 hz sine driving the bottom of the Cajon, and the occasional udu. I feel like you think the "Mix" is good. Which is the sole purpose for the post. This being...

It is not a drum machine. Its all real african drums man:) Im glad you dug it man thanks for the listen!

This is a track from my new Project called Banditism. (myspace.com/banditism) Its acoustic guitar, cajon, udu, shakers, chekere, conga, bongo, synth, and vocals. This is not a drum machine. Everything was done with 1 mic (akg perception 120) into the 1 pre on my mbox mini. This is two people...

Heres an instrumental metal tune i wrote tonight. Havent posted herein a long while so i figured id toss it up. Enjoy. http://gvsvideo.geomana.com/Chris%20Audio/24%20With%20Bass.mp3

1.Using a tight Q on a parametric to find frequencies i dont like, and dip them out. 2.Have a developed enough ear to know what isnt needed in just about any sound. 3. Having a sense of what i want the mix to sound like b4 i ever start mixing it.

Im just trying to catch up on all ths stuff on my plate. I apologise for the lag time. Ill have the results up asap. Ty for your patience.

Just got back from the Mhouse. Here's the final. http://www.lightningmp3.com/live/file.php?fid=10966

doubt it. lol But i do love that part though. It has a ton of conviction.

Cymbals could come up. Close mics on the drums could come down. Guitrs could be a tad brighter. The rest is good.

No. The son of the drummer for journey/ozzy (dean castronovo) his son is kyle. 16 year old one take dynamo wonder boy.

No. Over heads only, and they were in phase, i always check that b4 i start. 180 phase flipper for the way! Sounds fine to me. I dont see the what u mean. I think what youre hearning is a differnt type of guitar sound all together. I kinda got this Tom Schulz on steriods thing going and stuck...

No it isnt.

Its 60% mics, and 40% triggers on the drums. The guitars were a Marshall Mode4 cab with a Mesa Dual rec. Miced with an I5 on a bias at the cone then eq'd a bit with an SSL plug in. The bass was DI'd then ran through a sansamp pedal, a compressor, an overdrive pedal, The Ren bass plug-in to add...

A really good drummer. (its the drummer from Journey/Ozzy's son) (no pressure! yikes!) Mxl 604's for overheads, Shure pg81's for ride/hh mics, 57 on snare, 421's on toms, D6 on kick. Triggered with Steven Slate samples. Its 60% real drums, 40% triggers.