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Bruce also has the pleasure of working with really good musicians. Try recording a shitty teenage punk rock band and not use compression on the mix. No really go ahead and try. As a general rule I try to avoid using compression, but if the shoe fits . . .

uhhh, let's see. . . . . 'cause it's digital?

greetings definitesupreme I'm having problems deciphering your previous reply to the initial question posed. May I ask you to please translate your reply into english so I may gain some wisdom from your said statement?

In your case the best wrapper for that mic would probably be a trash bag. tla, sweetnubs

I've found it's better safe than sorry. I mostly use shockmounts on all my mics when recording. Like has been said earlier they are used to help eliminate noise conducted through the mic stand, it helps eliminate mechanical induced rumble. Often this noise is caused by the person being...

Translated statement of a person from northern california: Greetings i wish to engage in debate, I find your comments to be offensive. Why do you gentlemen deride people who think simple limmerick rhyme schemes coupled with the same tired tr808 based beat used ad infinitum? That is not a nice...

don't worry my friends I speek jive as this pidgin language was known in the 70's, please allow me to translate: "Hello friends here is the question I am presenting to you: I am recording some nice music heretofore within 7 fortnights, which microphone should I, who refers to myself in the...

That tape is going to shed like a motherfucker.

beyerdynamic, can't go wrong. One of those and a fender twin or vox ac30 baby!

My biggest mistake that I still make is laughing in the control room while somebody is doing a take. I mean I just can't help it! Fuck, some heavy-metal douchebag covered in tatoos and hair hanging over his eyes getting all serious singing retarded lyrics about the apocolypse with a...

shit, skid row likes it!

That is of course you got your mics positioned right. Overheads, get 'em up high.

Tell the drummer not to hit the toms as hard. Fucking musicians nowadays, they want us to do the work they're supposed to be doing.

don't worry everybody sweetnubs has come back! I do pull up my dress to pee!

I cannot be analogized, emulated, warmed or mastered at home. I cannot be autotuned or conducted more efficiently with silver core cabling. I cannot be sampled or turned into an impulse sample. I cannot be turned into a midi instrument or sold to a retard at guitar center to turn a quick...

that will be awesome, rupert neve is well known for his ability at writing code.

I am sweetnubs hear me roar.

jesus christ y'all are too uptight about this shit. Just listen mostly in the fletcher-munson zone, it's good to double-check at quieter and louder volumes also and on different playback systems and on a different set of monitors and against a reference cd or two. I'd worry more the frequency...

good for you, get back to me on what you find out. Perhaps you will then understand why I am an acutally working professional engineer. For a stereo recording you need record the initial source with at least two mics onto two separate tracks (or one stereo track that which contains both left...

naaah, you gotta initally record both left and right information and then pan that information left and right. It's still mono until that is done dipshit.