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Have you look at the Yanaha site? http://www.yamaha.com/yamahavgn/CDA/ContentDetail/PressReleaseDetail/0,6375,CNTID%253D13552%2526CTID%253D%2526CNTYP%253DNEWS,00.html There's a little bit here too: http://www.uk-piano.org/piano-forums/post-4101.html

I don't know. Have you ever used one? The mic pres are not world class to be sure, but they are pretty decent; a lot better than any Mackie's. Throw in its capabilities for compression, effects, routing, monitoring and surface control, and its pretty darn efficient.

First thing I'd do is scrap that Behringer mixer. Look for a USED Yamaha O1V mixer. You'll have a bank of decent pres, 16 inputs, and a host of usable effects. With a simple midi interface, you can use the O1V as a control surface for Cubase as well. It wouldn't be a bad idea to look into a...

I know this guy that must be a world class welder. I don't know what kind of welding it is, but it uses a flame and a rod. You had to heat the rod up in some sort of oven before starting, but when he was done, his welds looked like stack of dimes that had been knocked over. Pretty impressive!

I think I saw that show too. It was a joke!

I wish I could weld. :( I'm going to be limited to wood, glue, and screws.

When I wired up my wall plates, I tested them before installing them into the walls. As I was doing new construction, this was simple to do. I'm guessing you have something wired up wrong. If you're doing a lot of connections, its easy to get things mixed up.

I use the "Quik-Loc" stands. They're light weight, portable, and sturdy.

Why would you pour money into something that you could never own and is clearly against all regulations of the lease?

Man, that'd be great! I'd love to hear more of what you two are doing. Grand piano's are just beasts to mike well. Each piano, room, environment, voicing, tuning.... everything, is going to have an impact on it. I have a 7'-2" Boston that I love! It's REAL warm and.... woody sounding...

Oh thank god! I thought i was the ONLY one on this board that felt that way.

Comparing a Yamaha to a Steinway is like comparing a Ferrari to a Maseratti. Personal taste will ultimately be the deciding factor. For me, Yamaha's are simply too bright. And of course, a lot of the deciding factor depends on the style of music being played too.

Nice recording. LDC's can produce a really rich, lush tone, that's full and warm, and can exhibit all those qualities we strive for. But this recording seemed to lack just a bit of lower frequency or bass detail. Now, it could be the piano. Yamaha's are notoriously bright instruments. Or, it...

Very cool Tod! I'm inching ever closer to tunage myself.

Bruce! You got the baby oxford! Awesome. Give us an update after you've ran it through all of its paces.

Well, I'm a piano player so, a couple of points: 1.) I wouldn't get anything with less than 88 keys - Why have the limitation of less? 2.) I use a Fatar Studio 90, which is a midi controller. It has no internal sounds. I run that thru a Roland JV 2080 sound module with expansion boards. The...

I have a pair of TLM 103's and a Studio Projects T3. The 103's are great for a lot of stuff, I've even used it on vocals. The T3 seems to excel at vocals though, especially female vocals. But if I were looking for ONE good, all around vocal mike, in the $500 - $1000 range, I'd go for a Shure...

WOW! That looks cool man. Want to come over here and do my drywalling? ;)

An API 312 and an SM57 is phenominal! Listen to that combo here: http://www.nowhereradio.com/artists/album.php?aid=1656&alid=-1&20040703081136#13796

:D Thanks Darryl. I don't usually toot my own horn. Well.... except for my saxophone. ;)