i hate when people say they hate it when people use the word WARM . . .
we all know what we're talking about so get over it.
i second (or third) the motion for the RNP. the DMP3 is nice, but the RNP is worth the cost difference.
i was joking i didn't really get mine for $4. i was just saying no matter how much someone paid for it it doesn't make a difference.
i like the 319 for some acoustic guitars in certain circumstances. some voices sound good through it. it makes a good room mike for electrics.
i think reamping can be both. from what i've heard (from the way other recorders use the term) it's pretty much any time you send a signal out through another processor for effect (i.e. a preamp, a guitar amp etc.)
though, traditionally it is more of what rcktdg mentioned.
i don't have a great set up, but i'm happy with the sounds i get and i do have some decent equipment. but i always find i want whatever i'm hearing a lot about. everyone wants one more thing, or the newest thing, or the most hyped new thing. i just realized if i'm happy then buying the new...
i have my computer set up so that reformating doesn't lose anything except the programs (which i can reinstall from their disks). i think this is a neccesity for those of us doing recording on computers. every once in a while (pretty much every month) something will jack the computer and by...
warning subjective opinion based on experience - i think ibanez thin necks will probably be the fastest for most players. plus they sound amazing for shredding music. i've had a black ibanez js-100 for a few years. super fast and great sound. if anyone wants it give me a pm with a price. i...
ADR is the key (additional dialogue recording)-dub any vocals in a quiet studio environment. when you throw those dubs over the ambiant surrounding noises it will sound and look really natural from a distance. like tex said it doesn't work well for close ups, but for distance shots, or medium...
i've never done it for a whole mix, but for certain submixes it helps them gel. for instance, i've sent a bunch of brass through an amp to get some reverb an some of the room tone. i've also sent vocals through guitar amps and even a couple of drum mixes. unless you're going for a certain...
i use the $35-$50 tripod mic stands. sometimes they start to tip when i have a heavy mic extended way out. instead of droping another $100 on a better stand i just go to the garage and get a brick and tape it to one of the three legs as a counter balance.
yeah i'm talking about the amps in the protube series.
http://www.fender.com/gear/gear.php?node_id=2638
does anyone know the difference between the twin in this series, and the 65 reissue
http://www.fender.com/gear/gear.php?partno=0217300000
and some of the older twins?
the only major...
yeah, like i said pick the presets and adjust as needed. the Rverb does sound pretty awesome. i love the studio A and the plate reverbs it has. i was looking into getting some hardware reverbs as well. chess, i remember you recommended some alesis or lexicon unit around $500?
i've got an invidia ge force 4 128mb card and everything looks awesome. of course it looked about the same with the ge force 2 64 mb. dont' be suckered into paying twice as much for the newest technology when the older looks about the same. in the 2D you will probably see zero difference.
i used to think some magical settings existed somewhere that would save my mixes, but i've learned it sounds way better to just learn how to use the parameters in the software. plus, it's way more fun to make your own.
what i did was choose a few presets that sound close to what you want...