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About the minimum post thing.... It almost makes me a little mad, but i see the reasoning behind it. I can identify with the people that say they only post when relevent. I am not one to post an "I don't know" to a question. Though this BBS is the ONLY bbs i use for my recording questions...

Um, I am truly Matthew Good, I mean, that is my real name, but no, I am not THE Matthew Good of the Matthew Good band. (Unfortunately) Someday, I'm gonna get some royalties over that or something... Anyway.... Blue Bear Sound, have you had experience with both mixers, or are you just...

Impedance? In response to BSMR commenting on a muddy sound a while back... It sounds like you might have an impedance problem... I get these everyonce in a while and I hate them. A guitar amp is a different impedance then recording gear, and I am assuming that the pod's output is...

Has anyone ever used the Studio 32 or Studio 16 recording mixers by alesis? I am looking for a board with at least 8 really good preamps, something that will give me a good foldback, and at least 4 busses, for under $900. The Studio 32 is $900, and, as I have heard, fulfills the rest of the...

Sorry about some of that last entry... I jsut read some more of the stuff of the other topics here, and copyright is starting to become clearer. I still am confusied about registering the copyright.... I read in a book once that if you make a hard copy of a song you wrote and write copyright...

Let me excuse myself for the total lack of knowledge that will follow this sentence. Could someone please explain the details of copyrighting a song to me? All I want to do is to make it illegal for someone else to steal my song. Some of these songs my not have words, also. Can I just write...

I've done a bunch of reading about how professionals mike things. I have heard about a certain engineer (forget who he is, but I think he is big) who compresses the overheads so that the initial attack on the cymbals is heard primarily through the cymbal mics, and then gradually "breathes" and...

Um, I don't think the RODE NT1 is a good idea for a drum overhead. I have one, and it is a great mic, but I don't think it could handle the high SPLs from drums... Sure, it's rated with a max SPL of 135, but I read a review in mix magazine that that really isn't the case. THey didn't suggest...

I mix a live band twice a week for my youth group (I'm 16) and my church's worship band. I do some other live stuff, too. I had to mix my youth group's band with a little EV entertainer in this really reverberant room once with 2 really bad speakers. The whole place sounded like mush. Also...

Thanks for the info... One question remains, however. Do you think the space is big enough to get a nice reverb?? I don't want a really gross echo.

I am planning on builing a meager studio in my basement this summer. I really would like to have the room have some nice natural accoustical properties, although this is not the "trendy" thing to do. I also would like the opportunity to take them out. I think I can do this by making the room...