Search results

Then you missed whats on the back. It has 12 trigger inputs and acts as a trigger-to-midi interface.

The hysteria album is #1 on my worst over-produced shit-list. I'm not surprised they used rockmans. They made all the mistakes there is to be made, and all bad judgement calls there ever can be on that album. YMMV

All Generis is by ADK, it's like Fender/Squier, Gibson/Epiphone, Roland/Boss etc...

The poll is too short...from the top of my head, I can think of these mics for kick: AKG D-112 AKG D-12 Beyer M88 Sennheiser MD421 Sennheiser E602 AudioTechnica ATM25 AudioTechnica Pro25 Electrovoice RE20 Electrovoice RE15 Electrovoice N/D 868 Shure SM57 Shure SM58 Shure SM7 Shure SM91 Shure...

Condenser overhead and a dynamic kick mic could produce good results... but the placement gets critical. Lenny Kravitz used just one mic on drums for his first bunch of albums, but of course... that was a great mic, great room etc.

On this pic you can see ADK's new cheapo line of ribbons, same as the offerings from nady, thomann etc. Notice the eye for detail that goes into these beautys. No, it's not photoshop. Future collectors item?

But the TAMPA lacks line ins, so it can't really be used as a standalone compressor, can it?

I agree with everything on your list except for maybe StudioProjects... I think their mics are too bright. Tech21 on the other hand, is the shit in everything they do.

I can hear difference between an AKG C3000 and a SM58 through any pair of speakers. You need to train your ears.

Stop using a pick.

Mix through a Behringer console if you want bleed. You'll also get rid of the bass as a bonus.

Very nice, did you win the lottery? :) I too, have been looking at a distressor, but for now there's a Focusrite ISA-428 one step above on my list.

Do you mean you will use a single SM57 as overhead? It will sound like crap. Superlow budget drum mics: 1 Behringer ECM8000 in front of kit 1 SM57 on snare Will sound better, and be cheaper than your suggestion.

Look for squiers from '82 and '83 and you will find very good instruments. Better than the Fenders of the same years.

I thought the term hyped meant when an item got more praise than it deserves. This is not the case with the SM7. It deserves all praise you can throw at it. Btw, I live in Sweden and it's still my favorite dynamic.

Yes I know, I just wanted to point out that maybe it would be easier to evaluate the mics with a more "open" amp setting. It sounds a bit scooped now, which makes it hard to listen for the mics midrange.

I owned two SM81's for a couple of years, and to me they don't have a sound at all. Very flat and precise sounding.

I thought all sounded pretty hollow and dead.. maybe it was the amp or the amp settings. The MD421 sounded most hifi, but all tracks sounded too muddy for my liking.

I use my console.

The Lexicon can be used as A/D but it isn't 24bit.