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no...no he doesn't...

there aren't really any effects on the vocals at all...i mixed from the tascam into my computer, and put some compression and some reverb over the whole mix (in acid pro) lyrics for depression in a box: in this world, my soliloquy. I stare into this solitude, this un-opened box that sits...

thanks guys I guess what i really want to do recording wise is make something that has the emotional connection that is there when you're actually playing in front of people....that is kind of hard to do though when i'm playing everything myself, and there is absolutely no other human...

sum41 and blink182 is my soundtrack of choice for a drunken summer day....when you just feel like getting stupid....stupid behaviour needs stupid music... as for any serious artisitic integrity...well, i'm not sure, but i think having a number in your band name might automatically disqualify you...

yeah...as long as it's not Air Supply.... *cringe*

fundamentally loathsome by marilyn manson uses some hard panning in the verses, and switches to a more conventional mix in the chorus... it's an interesting effect, but i wouldn't mix like that on a regular basis...

do you not have a manual? i know i couldn't figure out shit on mine without the manual...

yeah...i had to laugh a little bit while i was typing that... i'm not exactly some nutty purist or anything, i mean i also do work with acid pro...but never for rock...

well...i offer a link to some stuff i've been tinkering on for the last while. WARNING: do not expect some highly polished glossy new rock...that is the opposite of my goal... FYI: these are rough mixes i did through my home stereo. I recorded using a tascam cassette 8-track and i have...

be very cautious aroung the reverb...it is really easy to go waaaaaaay overboard on the verb, and all of a sudden you're aldo nova or something...

teen angst? lmao...what do you call it when you're not a teen anymore? I'd rather listen to phil collins than slayer any day of the week...though i haven't really been into his newer stuff... in part i think my musical taste is so bad it's good... eminem, snoop dogg, prodigy, bjork, nine inch...

throw all your digital recording gear into the fire...that oughta warm those mixes right up! :D

i think it's not uncommon for stuff from that era to be mixed all wonky like that...pull out your early Doors records...

i second micing the strings...

that's the price you all pay for trying to be early adopters! go with the flow...try keeping up with the jonses instead of trying to BE the jonses.... :D

hey guy...in utero is a wicked sounding album! it actually sounds real....y'know, like an actual band actually played everything you sound more like you're a fan of...pop-rock...aren't you? I know there are some poison cd's in your collection, aren't there? be honest..

yeah..the "old fashioned way" eh...i guess people using....umm, actual tape are in prehistoric mode or something huh? All this digital snobbery...slobbery globbery, gobble-your-knob-mary chicanery! resitance is not futile and i will not be assimilated!

Prodigy - Fat of the Land The Eagles - Long Run Mercyful Fate - Don't Break the Oath Bryan Adams - Waking Up The Neighbors Aqua - Aquarium David Bowie - Let's Dance Marilyn Manson - Antichrist Superstar Dr. Dre - 2001 Papa Roach - Love Hate Tragedy and it has to be in that exact...

using a higher speed will improve your quality somewhat. Kind of like with VHS if you record on SP the quality is higher than SLP if you record your tracks at high speed, then you would also playback/mix them at high speed

it really depends on what sort of sound you're going for... but, as a rough starting point, i'd say get the amp up off the floor, use the 57, and get it as close to the speaker as possible...starting out towards the edge of the speaker (move inward to increase brightness if desired) that is...