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you might already have one, logic and alot of other DAWS come with a utility plug in. Use your ears for sure.

keep posting more of these, I'm trying to take my music live soon.

I mix as I go

I think it depends on what type of music you are doing. I do a lot of Trip Hop stuff, where it needs to sound powerful. If I were to pan my bass to one speaker, it would weaken my mix. However, I've heard some great mixes in jazz and other softer styles where the bass was panned to the left the...

Hey what's up y'all, long time no talk. How have yall been? I'm mixing a new song and it involves a sub bass analog kickdrum that produces solid bass note tones that I am using as the bassline in my song. My problem is that I don't know where to start, I love the dynamic of the kick, so I...

+1. mixing on cans is possible, but its impractical because it doesn't take into consideration the effects of the room on the sound of your recording. I use headphones for "zooming in" on some detail, like a problem frequency. when I mix, its always on some good quality near-field monitors. T

have y'all checked this thing out? its sick. we got in a couple at the store that I work at, and i've been messing around with it for a minute and I must say its really impressive, they have rethought the mixer. check it here: PreSonus StudioLive 16.4.2 | Sweetwater.com

I'm just saying, don't try and be anyone else, like a lil wayne or w/e. The reason is: when you are 40 years old, you don't have to try and remember what you lied about when you were 18. Just be you, that way you never have to explain your actions.

you can try all these above options: layering, serial compression, doubling, but imho, (besides layering) you are just shooting in the dark. There is no magic button that's going to save your mix and make your drums thunderdrums. Try eqing and MIXING the drums in your song, you'll be surprised...

Good god, kid. To try and answer question 1: I don't use reaper, but you should check out your parameters for exporting. You might have defined the range to export just the first couple of seconds. Try messing around with the other options, it's usually user error. Question 2: Yes. When you...

hell yeah, how is the moog treating you?

not a rapper, but why don't you be you and stick with what you got and not try and find an "ideal" voice?

I believe once you delete the tracks, go to file, and save project as template. Tyler

why don't you delete the audio files in the first song, then save the project as a template, and import the new audio files? Tyler

1.6 came with a bunch of new features, VST/AU hosting, VST instrument hosting, Pad link, individual swing and groove settings per pad, more effects slots (a total of 4 effects per pad/group/master and more. It really made it into a powerhouse, I'm just having fun making music differently, I like...

hey man, I'm trying to understand what you are asking. Are you asking to record midi events in mixcraft, then have them sent to reaktor/kore/kontakt etc? I haven't used mixcraft before, but in Live, you create a midi track, and drop your plugin (kore, kontakt vst, reaktor vst) on it, and as long...

kc, you might not use it as much because don't you have Sampler in Live? idk, the workflow with maschine is the best, most intuitive workflow I've ever experienced. I use Maschine as a VST in Live and sequence both of them, but lately, after the 1.6 update, I haven't opened Live ;)

What benage is saying is you can export the audio file as a stereo file (creating a left-right mix), or you can export as mono, which means the computer/software sums the audio into.....mono, I can't really describe mono? NOT STEREO lol. When you sum the tracks to mono, there can be a huge loss...

maschine is the shit, I use it everyday, still learning things.

15 kz? dude we can't hear that. If I want t little bump in the trunk, I eq the kick to that 50-75 is accentuated ( just a little bit) and I roll off anything after that, it turns to mud.