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I think I remember reading that the newest Victor Wooten, Yin Yang, was recorded on a vs1680...or maybe it was two of them linked together...Not that I'm a Victor Wooten fan, but, obviously this recording would be considered a pro-quality recording.

I purchased a RNC about a month ago and am totally pleased with it. It sounds great on drum overheads and bass, just as you would expect. Very clean and easy to use. I'm actually in the process of saving up to get a second one...

I was totally pleased with the 520DX. However, I was using it as a vocal mic to try to get a really lo-fi sound. I ran it into a peavey tube amp and then mic'd it with a 57, just like you would an electric guitar. I basically got no low frequency response, it was all mids and high freq. But...

I've been using dr's, on and off, for about a year now and have been happy with them. They are a bit bright at first but they last for a long time.

I record in my living room. It's a decent size room with hardwood floors and plaster(?) walls. There is a tv, couch, and chair in there for sound proofing:D I also have a small room right off the living room that I use for guitar amps and things like that. Also, there is another small room...

You might be going for a little bit of overkill with that board. You can probably find a smaller and less expensive mixing board that will do the job just fine. Since you're just getting started into recording and mixing you might want to hold off on the big purchase until you know what you...

My old 85' Accord had a big "Trip" button next to the speedometer. When you pushed it, man, it gave off the coolest colors and patterns. I wish I had one for my Tascam 388.:D

I used a Green Bullet at a studio recently and it had a volume knob. Maybe it was a new version...:confused: If you look ebay under vintage microphone or harmonica mic you can find a long list of prospects.

You rock so hard in a non-rockin way that I just can't deny it.:D I love this song. It's smoooooth...

Thanks for the tip Reel...I'm on it right now.

In response to creekster52... I've been recording rock bands and punk influenced rock stuff.

Thanks for the input Reel... Whenever I track with the 388, using dbx, everything sounds a bit muddy and "pumping." However, when the dbx isn't on, I don't have this problem at all. Are you supposed to adjust your EQing according to the dbx? Just so that you know, I am totally pleased with...

Its nice to see the 388 out in full force in the analog forum. As previously stated, I love it. So, what is your take on the dbx on it? Good or bad? I'm still trying to decide if I should or shouldn't use it. My results have been a little varied...

I have never used a C1 but I own 2 4033's and have been very please with their performance. They are extremely versatile and can be used on about anything. I typically use them as drum overheads and on vocals. No complaints here.

I'll give you $50 for the sm57...let me know.

I'll tell you what is wrong with Behringer...I recently bought two, cheaply priced, ECM8000's from them...and they rock. Man, what a bargain!?! I just can't stand a company that makes such an affordable product!!!:D:D:D

Man, you is a round about going fool. I can't argue with yo results tho. Yu keep up the good wrk.

Exactly Rick...I have worked with a few roland digitals and I have a good amount of experience working with ProTools and, they have their strong points, but with analog it's all just about the sounds. Granted, you can't do the same type of editing that you can it digital but, with analog, you...

I'm not sure if that qualifies...:D

I'm curious what type of machines are being used by the people that visit the Analog Only area... I have a Tascam 388...it's limited but it works for what I'm doing. So, what are you using?