Search results

  1. S

    Only one short tip

    Less is more, focus on the song.
  2. S

    Akg C-414

    Could anyone tell me the differences of the various C-414 models ? There's the TLII, the ULS and God knows what else. I know one of the models are intended for vocals, and the other for instruments.... but which is which ?
  3. S

    My experience in a "real" studio

    OMG! There are a lot of rotten eggs out there....
  4. S

    Edward the Compressor, by Ted Fletcher

    Grace 101 ?
  5. S

    Members average number of mics and a list...

    Neumann TLM103 Shure SM57(2) Shure SM81(2) Shure SM7 AKG D330BT Audio Technica ATM25 ADK SC-1 (2) Behringer ECM8000 (2) Behringer XM8500 (used as talkback mic) Sennheiser K6 module + ME62 capsule Sony Stereomic AKG C3000
  6. S

    What do you think of my semi-pro studio?

    Every commercial studio MUST have at least one decent microphone. The fact that you don't makes me wonder about your knowledge of recording.
  7. S

    atm25's for kick and toms?

    I use a ATM25 for kick recording, and I am satisfied with the results.
  8. S

    How do I get that FAT/WET metal-ish kick sound?

    If you want the metal kick sound, trigger is the way to go. Why ? Cause all the kicks you're hearing on those albums are triggered.
  9. S

    Strange ADAT behavior

    IF it's the power supply, it will cost you more to repair it than a used ADAT is worth. I got a ADAT XT-20 with broken power supply. Use it in my boat as anchor.
  10. S

    What is the JoeMeek "sound?" Good for overheads?

    Well, I never said it was great for kick, snare or percussion.
  11. S

    What is the JoeMeek "sound?" Good for overheads?

    I have the Pro VLA and it beautiful on everything. Great for overheads, vocals, guitar, bass and across the mix bus.
  12. S

    Shure SM7

    I paid about $235 for mine. :)
  13. S

    Looking for an Alesis Quadraverb 2

    I got one for sale, and can ship to canada.
  14. S

    Shure SM7

    I love my SM7 too. I've not gotten a bad sound out of it yet, on any source. It sees more use in my studio than some mics costing many times as much.
  15. S

    Shure SM7

    I love my SM7 too. I've not gotten a bad sound out of it yet, on any source. It sees more use in my studio than some mics costing many times as much.
  16. S

    Shure SM7

    I love my SM7 too. I've not gotten a bad sound out of it yet, on any source. It sees more use in my studio than some mics costing many times as much.
  17. S

    I wish FMR made a really nice everything!

    I was around, and I know that dual mono is more expensive than stereo. But, and I am guessing here, a gate should be easier/cheaper to build than a compressor, so maybe you'll end up at the same cost ?
  18. S

    KRK V8's

    Problem is, where I live I can't audtion the V8's. Only the V4 and the V6. I love the V4's but they are lacking in bass for natural reasons. I wonder if the V8's are as good but with added bass or have a different sound ? Often, the bigger woofer you got, the more bass you get but also the...
  19. S

    I wish FMR made a really nice everything!

    I would like to see a Really Nice 2ch Gate, and a Really Nice 2ch de-esser. Most de-essers out there suck. And a lot of the gates too. With 2ch I mean dual mono.
  20. S

    Modern mastering sounds great ! ! !

    And when the music is completely even in level, our music is being listened to in 0 bit. :rolleyes:
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