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Thanks for the input so far. The case I have has folding ears/handles., but I hadn't thought about wheelin' it around. I wasn't aware of Atholon/Cubase problems. I know that there have always been VIA chipset issues though. Interesting.

If I you a chance to do it over again.... What's the one thing you would NOT do, or do differently on your next box? I just got my case and am putting together a "Field" dedicated music PC for taking out on the town. I don't want to make all the same mistakes you may have. I just admitted the...

A-Open 850 Deluxe ($40) Tascam 428

I know that sucks. I picked up a used Sony deck(510) at a pawn shop that has the digi-out. I see them all the time. I passed one up last week for 60$.

Yea , I think I take the signal out of my DECK that has a lightpipe into the ultramatch, then SPDIF coax into my PC. I'm at work now and it's been a while since I looked at the hookup...

Hey Tex, I run my MD thru a Behringer Ultramatch to defeat the coding. No problemo. The only "B" piece I have, I take that back . I got a battery mixer of their's too, but I haven't given it a test drive yet.

so is that 1010 a LT model or a regular 1010. how much do you want for it?

that's cool evhwanabe. I just read on their site that they have drivers for XP & win2k so I stand corrected. How much have you "worked" it, and what's your software?

I think the MOTU's were able to run with 9X OS's but to my (limited) knowlege they don't support XP/2000. I was looking at the 828 too but I'm holding off and sticking to stereo on my old laptop. RME Hammerfall is one I was looking at the most seriously. My Cubase would work great with it.

What kinda more stuff do you need?

It would be nice to at least make enough to pay for the gear. Maybe it's time for a tax write off.

I really like my EV 767-A's. that said they are hyper-cardiod so you will will need to stay more in front of it, and it doesn't have the proximity effect that a 58 has.

something I noticed on that photo link from pipeline. The little ball and chain to keep the consistant location from the center of the disc. I have started on some using a 12" plexiglass type disk covered with lambswool on both sides but the plastic cracked on me.(my own fault) Oh, and the mics...

Comming from a photography backround, I think larger light stands with booms would work great. You may even find some used. The ends usually come with a 3/8-16 thread adapter standard.

Soundcraft but I would suggest that you get one with at least 8 inputs as it will be the hub of your system A Mackie 1202 is another alternative

The HR 824's were kinda ugly so I passed on them. But I found an Envoice channel strip that's in my rack now :)

a cell phone, yea I know it's almost 2003 HR824's if they're still there at 2:30 today

I never have but this will be fodder for the sharks if it's a sucky idea. I'd try the 67 right in the middle with everybody the same distance from the mic. (4-5 feet) then EQ high to the right and low to the left.

12 inches is what I have seen too. (300 mm actually) I no nothing about your absorbtion material

NO DON'T The emc's have an omni pickup pattern where the 603's are cardioid Very handy to have around