I EQ and then compress.
Just today I came upon a novel
situation for me where I had
to use a good amount of
de-essing and I experimented
where to put it.
I found that the de-esser was much more
effective after compression than
before it.
I also do similar type of recording but I never am
sure whether to start with the spots and then
bring up the room, or start with the
room and bring up the spots. Is there
any rule of thumb on this?
This is what I was wondering -- how it would
work out for mid-side recording?
The recordings aren't real "critical"
but I'm wondering if it would work
out okay?
Harvey, does a bidirectional mic have more
proximity effect than a hypercardioid?
Am I correct in assuming that a hyper
has more proximity effect than a
cardioid?
Thanks, all, that helps.
One thing I notice is that the larger
ribbon mics seem to have a
different frequency curve as
compared to the Beyerdynamic
M 160, as can be seen on the
Datasheet at Beyer's site...