Assuming you are trying to fit the vox in a mix, regardless of if you overcome the send amount to bus while verb fully wet:
- The most important thing is to EQ the reverb. Preferably an EQ before the reverb instance (on the verb bus) and hipass around 500 Hz or so, while lowpassing @ around...
Will continue to be on SONAR (has been since -99), but will still use REAPER regardless. If I suddenly stop dancing the Cakewalk, it will be all REAPER. Since their staff implementation there really isn't any other valid option.
As per title:
Guitar recordings are finished. Full-length PM-album. The guitarist is going to add some wah-wah to the solos afterwards, utilizing my stellar Roland FC-300.
I know how to set things up and routing the midi track with the fc300 to the, configured-as-synth-amplitube sitting on...
Well - I also occasionally record progressive metal with my Zoom R24, but I only utilize 7 inputs, since I only have three toms. In your case you could perhaps get a mic with 8-characteristics sticking up right between two toms, to share one input? Or you skip one of the toms all together, but...
OK - I play along too. Background:
One of the current guitarists I play with toured in Japan with a progmetal-act a decade ago, then he wrote his own album, but recorded it with programmed drums (mouse/keyboard I assume). That's the version with the vox below. I had no part in that one. Now we...
I actually also like both Supraphonics (400+402) and the Pearl Reference Snare. But then I'm more of a groove/funk/zep drummer, so preferences may vary.
^^Most likely yes. Anyways - I have Cubase as well (even if I mainly work in SONAR). Normally I lay down drum tracks to clients world-wide, but I can shoot you a mix for no more than 50 USD.
Somehow it always comes down to the "real drummer" playing a "real kit" or someone who is programming drums. Has this thread even touched the subject of a "real drummer" playing the samples on an e-kit(like myself)? I believe it's the performance alone that is the most important thing - i.e the...
Well - I have this one:
https://www.akaipro.com/synthstation25
...which I use with, in my view, the best iphone/ipad-DAW available at the moment:
Music Studio - Overview
Of course there are limits to how much you can do, but there are plenty of instruments, monitoring through your...
Just that - thinking of getting myself an RME UCX. Being a drummer and recording quite a lot via SOFTWARE VST's mind you, I "need" low latency.
My current is fairly low, but can't get those 64strokerolls to sit tightly enough. The question is if getting this RME-card will lower my latency...
No easy way really, and not a mixing issue. The sounds in a drum module are rarely any good, even in Yamaha's or Roland's top of the line products, so basically you need to either record an acoustic kit, or play the VST's (like I do) to have it sound realistic enough. Then the drummer comes into...
My first DAW was some shit on an Amiga 500 back in -92. Then I heard of Cakewalk Pro audio 9 around 2002 or something. Continued down the Cakewalk/SONAR path. I strayed for a while trying Cubase, and have also tried Samplitude and Reaper. But SONAR has always been the most intuitive for me - and...
I would also go with the overheads first, cranking them up, and then place the other drums in the stereofield where they seem to be in the OH's. Kick, snare, hats, then toms.
On the other hand Iäve heard of some that do OH last, so...
The thing that worked for me at least - which you already tried probably - is having contact with other music teacher's around who teaches kids, and other minors. Parents roam around that school with their kids anyway and there's always some kids that wants to try my instrument, and then my...