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Try it when you're not "sick" we'll all still be here. BTW, I didn't listen because I only want to hear you at you're current very best:D

I LOVE that mic. If I may.. why did you sell it?

Mine was the AT3525. At the time I wasn't even sure what I was looking for, I had a budget and I had to stick to it. 15 years later I still use it from time to time on finger picked acoustic guitar and sometimes I'll pull it out for certain singers backing vocals.

Yes, there is some Bright room/Reverb Room on on the snare and toms. No compression whatsoever, pretty raw. I like your idea "compress the snot out of them."

Ya think? I am in no way suggesting pinning any effects at the recording stage. Thought that was just common knowledge.

Back before I had any kind of recording gear, whatever band I was in at the time would have to find a place to record our stuff. It was always a huge struggle to get the guy/studio owner to use any kind of reverbs on drums (I'm primarily talking about the snare and toms) I never understood...

Start off with a Rode NT1. A lot of mic for not much money.

Thank for clearing that up, Alan. :facepalm: I don't know why I thought the 4060 was a ribbon not a tube. Tried one out today (used), very nice.

I'm about to purchase the KSM44 (I love that mic!!) However, I've always been a fan of Audio Technica and have many of them. Question, does anybody have any experience with the AT4060? It's a ribbon, I know, but hell or high water I'm getting myself one or the other for Christmas. As I said I...

Assuming your 57 is in fine working order, something is happening between the mic and your console/interface. Even at a moderately low amplifier volume you should be getting a strong enough signal. Have you checked all the links in the chain? If you can't figure it out, I'll pop by in a few...

I am about to purchase a KSM44. However, I will not be testing out the concrete floor drop. Think I'll take their word for it.

Just yesterday, I received a call from a guy who spoke with extremely broken English. Middle eastern broken English. We went back and forth for the better part of ten minutes, we (for the most part) got nowhere. I managed to make out that he wanted to record "E-Hop"..?? Huh? It was very clear...

I hope Trump keeps that promise:guitar:

This thread seems to be stuck on feet. Not my intention:facepalm: What about drinks near the console, clients without direction, somebody trying to pocket a mic.. there are many less than happy scenarios.

YES. The last thing I want is to see sweaty barefoot footprints on my beautiful wood floors. A woman wouldn't be as bad because.. it just isn't as bad, I guess.

The reason I ask: From time to time you, or somebody else WILL drop one of your baby's.. I have had a few MIC's fall/drop from various heights over the years (almost in slow motion while I yell at God, "WHY!?!") An AT4033 from 7FT up on to my hardwood floor. No deleterious effects to report...

Nothing beats a great sounding kit. Even an OK sounding kit to me, is preferable.

HA!!:laughings: Well I don't know about the feet, but the wet wipe tasted horrible! (rim shot):D I agree, nightmare may be a rather strong word for what happened. Alas..

I run my 600 SQ FT home studio out of half of my basement (it's all walled off and very much its own little world) Besides recording my own two bands I also record other locals. A few years ago a guy who has recorded many songs at my place needed to bring in this one particular well known bass...

The Roland RH50's are pretty good and about $50 - $65. A little to crispy for some, but the price is right and its a quality product for the home recording folks looking to get a lot of bang for a reasonable buck.